The Power with which We Leap Together (Paperback)

Giulia Lamoni

ISBN 10: 9898758996 / ISBN 13: 9789898758996

Published by Fundacao Calouste Gulbenkian, Plano de Edicoes, 2025

About this Item

Paperback. The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM Institut Valencia d'Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo. Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border. In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition. With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists' books. AUTHORS: With contributions by David Cortes, Giulia Lamoni, Isabel Tejeda, Leonor de Oliveira, Marcia Oliveira, Margarida Brito Alves, Pablo Santa Olalla, Patricia Mayayo. SELLING POINTS: . Collaboration between CAM and IVAM Institut Valencia d'Art Modern . The catalogue also contains reproductions of works shown for the first time in this exhibition . For the first time in a book, almost 150 works by renowned Iberian women artists 95 colour, 50 b/w illustrations Brings together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Seller Inventory # 9789898758996

Bibliographic Details

• Title: The Power with which We Leap Together (Paperback)
• Publisher: Fundacao Calouste Gulbenkian, Plano de Edicoes
• Publication Date: 2025
• Language: English
• ISBN 10: 9898758996
• ISBN 13: 9789898758996
• Binding: Paperback
• Condition: new

About this title

Synopsis

Brings together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975.

The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM – Institut Valenciŕ d’Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo.

Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border.

In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition.

With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists’ books.

About the Author

With contributions by David Cortés, Giulia Lamoni, Isabel Tejeda, Leonor de Oliveira, Márcia Oliveira, Margarida Brito Alves, Pablo Santa Olalla, Patricia Mayayo.