Pre-Raphaelites
Book 110 of 140: Basic ArtBirchall, Heather
Sold by Kennys Bookstore, Olney, MD, U.S.A.
AbeBooks Seller since October 9, 2009
New - Hardcover
Condition: New
Ships within U.S.A.
Quantity: 4 available
Add to basketSold by Kennys Bookstore, Olney, MD, U.S.A.
AbeBooks Seller since October 9, 2009
Condition: New
Quantity: 4 available
Add to basketFounded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti, the original Pre-Raphaelites were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form a seven-member "brotherhood". This book examines the group's emergence, development, influence, and subsequent demise. Num Pages: 96 pages, illustrations. BIC Classification: ACVM. Category: (G) General (US: Trade). Dimension: 260 x 210. . . 2016. Hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # V9783836519656
Founded in 1848 as a secret society, the Pre-Raphaelites rejected classical ideals and the dominant artistic genre painting of their era for what they saw as a more spiritual, sincere, and naturalistic approach. Founded by William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti, they evolved into a seven-member “brotherhood” that included poets and critics as well as painters.Moving away from the classical compositions exemplified by Raphael (hence the group’s name), the Pre-Raphaelites rather turned to medieval culture and the jewel-like colors of Quattrocento art for inspiration. Their principal themes were initially religious, but also included subjects from literature and poetry, as exemplified by Sir John Everett Millais’s famous Ophelia, drawn from Shakespeare's Hamlet. Inspired by the theories of John Ruskin, they were also committed to the close study of nature.This book presents key works from the Pre-Raphaelite group to introduce their reactionary principles, their dazzling colors, their interest in love, death, and nature, and their extensive influence on latter-day Symbolism and beyond.
Heather Birchall organized a number of major exhibitions at the Victoria & Albert Museum and Tate Britain in London before becoming Curator of Historic Fine Art at the Whitworth Art Gallery, University of Manchester. She was a member of the National Association of Decorative & Fine Arts Societies (NADFAS) until 2014. Today she lives in San Francisco. A specialist in Victorian art, she has contributed to books and written articles about John Ruskin, the relationship between painting and photography, and British watercolors.
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