Pre-Raphaelites

Birchall, Heather

ISBN 10: 3822854867 / ISBN 13: 9783822854860

Published by TASCHEN, 2010

About this Item

Seller Inventory # 3822854867-VB

Bibliographic Details

• Title: Pre-Raphaelites
• Publisher: TASCHEN
• Publication Date: 2010
• Language: English
• ISBN 10: 3822854867
• ISBN 13: 9783822854860
• Binding: paperback
• Condition: As New

About this title

Synopsis

Sometimes considered the first avant-garde art movement, the Pre-Raphaelites rejected their era's dominant artistic theories for what they saw as a more spiritual, naturalistic and intensely personal approach. Fascinated by the romantic aspects of medieval culture and the vivid, jewel-like colors of Quattrocento art, the movement abhored the Classical poses and composition of Raphael and those influenced by him—hence the group's name—and the influence of Sir Joshua Reynolds.

Founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti, the original Pre-Raphaelites were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form a seven-member "brotherhood". Its influence on many later British artists was extensive, and Rossetti's work is now seen as a precursor of the wider European Symbolist movement. This book examines the group's emergence, development, influence, and subsequent demise.

About the Series:
Each book in TASCHEN's Basic Genre Series features:

• a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
• a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

About the Author

Heather Birchall is Curator of Historic Fine Art at the Whitworth Art Gallery, University of Manchester. She previously worked at the Victoria and Albert Museum, and Tate Britain, helping to organize major exhibitions including Millais (2007) and How We Are: Photographing Britain (2008). A specialist in Victorian art, she has contributed to books and written articles about John Ruskin, the relationship between painting and photography, and British watercolours.