Pre-Raphaelites Victorian Avant Garde

Combining rebellion and revivalism, scientific precision and imaginative grandeur, the Pre-Raphaelite Brotherhood shook the mid-nineteenth-century art world and were effectively Britain's first modern art movement. Today the works of the Pre-Raphaelites are among the best known of all English paintings, and yet they have sometimes been dismissed as Victoriana or mere escapism.

This book corrects that view. Accompanying a major international touring exhibition, it examines works in a wide variety of media, demonstrating the broad scope of the movement's revolutionary ideas about art, design and society. Led by Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais, the Pre-Raphaelites rebelled against the art establishment of their day and were committed to the idea of art's potential to change society. Their unflinchingly radical style, inspired by the purity of early renaissance painting, defied convention, provoked critics and entranced audiences.

Many of the most famous Pre-Raphaelite paintings are featured, including Millais' "Ophelia" and Madox Brown's "The Last of England", alongside less familiar works. In contrast with previous Pre-Raphaelite surveys, this book also includes sculpture, photography and the applied arts, the latter showing the important role the "Brotherhood" played in the early development of the Arts and Crafts movement and the socialist ideas of the poet, designer and theorist, William Morris (1834-1896).

Extensively illustrated, with essays by leading international authorities in the field, this will be the key work on the Pre-Raphaelites for years to come.

Alison Smith is Curator and Head of British Art to 1900; Tim Barringer is Professor of History of Art at Yale University; Jason Rosenfeld is Distinguished Chair and Associate Professor of Art History at Marymount Manhattan College, New York; Elizabeth Prettejohn is Professor of History of Art at the University of Bristol; Diane Waggoner is Associate Curator, Department of Photographs at the National Gallery of Art, Washington.