In 1482 Francesco Berlinghieri produced the Geographia, a book of over 100 folio leaves describing the world in Italian verse interleaved with lavishly engraved maps. Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Series: I Tatti Studies in Italian Renaissance History. Num Pages: 336 pages, 25 halftones. BIC Classification: 1DST; 1QDT; 1QRM; 3JB; HBJD; HBJF; HBLH; HBTB. Category: (G) General (US: Trade). Dimension: 241 x 165 x 25. Weight in Grams: 648. . 2013. Hardcover. . . . .

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Bibliographic Details

Title: Printing a Mediterranean World: Florence, Constantinople, and the Renaissance of Geography
Publisher: Harvard University Press
Publication Date: 2013
Language: English
ISBN 10: 0674066480
ISBN 13: 9780674066489
Binding: Hardcover
Condition: New

About this title

Synopsis

In 1482, the Florentine humanist and statesman Francesco Berlinghieri produced the Geographia, a book of over one hundred folio leaves describing the world in Italian verse, inspired by the ancient Greek geography of Ptolemy. The poem, divided into seven books (one for each day of the week the author ";travels"; the known world), is interleaved with lavishly engraved maps to accompany readers on this journey.Sean Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Simultaneously, the use of the Geographia as a diplomatic gift from Florence to the Ottoman Empire tells another story. This exchange expands our understanding of Mediterranean politics, European perceptions of the Ottomans, and Ottoman interest in mapping and print. The envoy to the Sultan represented the aspirations of the Florentine state, which chose n

About the Author

Sean Roberts is the 2014-2015 Robert Lehman Fellow at Villa I Tatti, The Harvard University Center for Italian Renaissance Studies.

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