Paperback. Printing terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history. Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Bibliographic Details

Title: Printing Terror (Paperback)
Publisher: Manchester University Press, Manchester
Publication Date: 2024
Language: English
ISBN 10: 1526179008
ISBN 13: 9781526179005
Binding: Paperback
Condition: new

About this title

Synopsis

Printing terror takes a fascinating look at American horror comics in the Cold War era, from the 1940s to the 1970s. It reveals how these comics both reflected and fed into the anxieties of the age, particularly in matters of race and gender.

The book traces the history of prominent titles such as Tales from the Crypt, Tomb of Terror and Chamber of Chills, while exploring the careers of cult figures within and around horror comics. Considering the context of Vietnam, the rise of feminism and the growth of the civil rights movement, it argues against the received wisdom that horror comics offered a subversive commentary on society. In reality they often repeated the sexist, racist and nationalistic tropes they purported to undermine.

Featuring a wealth of vivid illustrations, Printing terror offers an exciting new perspective on horror comics, deepening our understanding of this popular but complex genre.

About the Author

Michael Goodrum is Reader in Cultural History at Canterbury Christ Church University

Philip Smith is Associate Chair of Liberal Arts at Savannah College of Art and Design

"About this title" may belong to another edition of this title.

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