Prints and Printmaking: An Introduction to the History and Techniques

Griffiths, Antony

ISBN 10: 0520207149 / ISBN 13: 9780520207141

Published by University of California Press, 1996

About this Item

Noticeable wear on the cover & pages but perfectly readable. May be missing dust-jacket, if applicable. May have notes & or highlighting, but the text is readable and not obstructed. May be former library book. May have mild water damage or staining. May not include CD DVD, access code or any other supplemental materials.

Seller Inventory # VLM.1BEV

Bibliographic Details

• Title: Prints and Printmaking: An Introduction to the History and Techniques
• Publisher: University of California Press
• Publication Date: 1996
• Language: English
• ISBN 10: 0520207149
• ISBN 13: 9780520207141
• Binding: Soft cover
• Condition: acceptable

About this title

Synopsis

A print is a pictorial image that has been produced by a process that enables it to be multiplied, and many of the best-known works by some of the world's greatest artists are prints. Yet little is understood about this popular art form. Now Antony Griffiths provides an excellent introduction for anyone who wishes to acquire a basic understanding of prints and printmaking. In succinct and lucid language, he explains the different printmaking techniques and shows both details and whole prints to demonstrate the effects that can be achieved. Woodcuts, engraving, etching, mezzotint, and lithography are among the many processes explained, illustrated, and placed within a historical context.

This fully revised and updated edition of the highly praised 1980 British publication is available for the first time in the United States. With its complete glossary, index, and helpful illustrations, Griffiths's book is the essential foundation for an intelligent appreciation of the printmaker's art.

About the Author

Antony Griffiths is a British museum curator and art historian, specializing in prints and drawings. From 1991 to 2011, he served as Keeper of the Department of Prints and Drawings, British Museum. He is the co-author of Avant-Garde British Printmaking, 1914-1960 and German Printmaking in the Age of Goethe. He is the editor of Landmarks in Print Collecting: Connoisseurs and Donors at the British Museum since 1753.