The Problem of Style
J. Middleton Murry
Sold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
New - Hardcover
Condition: New
Ships from Germany to U.S.A.
Quantity: 2 available
Add to basketSold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
Condition: New
Quantity: 2 available
Add to basketNeuware - 'The Problem of Style' is an influential work of literary criticism derived from a series of lectures delivered at Oxford University by J. Middleton Murry. In this profound investigation, Murry examines the elusive nature of literary style, moving beyond the superficial definition of style as mere decoration or technical artifice. Instead, he argues that true style is an organic expression of the writer's unique perception and a reflection of the depth and clarity of their thought process.Throughout the work, Murry explores the relationship between the writer's sensibility and the language they employ, distinguishing between the purely idiosyncratic and the universally resonant. He draws upon the works of various masters of English literature to demonstrate how style serves as a bridge between the author's internal experience and the reader's understanding. By analyzing the components of effective prose and poetry, the author provides a rigorous framework for evaluating the quality and sincerity of literary expression.Renowned for its analytical depth and philosophical insight, 'The Problem of Style' remains a vital text for students of literature, professional critics, and writers seeking to understand the psychological and aesthetic foundations of their craft. It stands as a significant contribution to the study of rhetoric and the philosophy of language in the early twentieth century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Seller Inventory # 9781025398068
"The Problem of Style" is an influential work of literary criticism derived from a series of lectures delivered at Oxford University by J. Middleton Murry. In this profound investigation, Murry examines the elusive nature of literary style, moving beyond the superficial definition of style as mere decoration or technical artifice. Instead, he argues that true style is an organic expression of the writer's unique perception and a reflection of the depth and clarity of their thought process.
Throughout the work, Murry explores the relationship between the writer's sensibility and the language they employ, distinguishing between the purely idiosyncratic and the universally resonant. He draws upon the works of various masters of English literature to demonstrate how style serves as a bridge between the author's internal experience and the reader's understanding. By analyzing the components of effective prose and poetry, the author provides a rigorous framework for evaluating the quality and sincerity of literary expression.
Renowned for its analytical depth and philosophical insight, "The Problem of Style" remains a vital text for students of literature, professional critics, and writers seeking to understand the psychological and aesthetic foundations of their craft. It stands as a significant contribution to the study of rhetoric and the philosophy of language in the early twentieth century.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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