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“An important verbal and visual document of a great period of American printmaking.”—Gordon W. Gilkey, Pacific Northwest College of Art and Curator of Prints and Drawings, Portland Art Museum
“A superb chronicle of a unique period in the development of printmaking in the U.S. in the post–World War II years. This is an excellent history of a gifted group of artist-professors who, through their creative and innovative approach to the teaching of printmaking, helped to initiate a renaissance in printmaking that has become a singular addition to twentieth-century American artistic expression.”—Clare Romano, Pratt Institute, and John Ross, Manhattanville College
Printmaking exploded on the American art scene after World War II, rapidly expanding from New York to the Midwest and beyond. Central to this movement and its development was the University of Wisconsin–Madison, where a group of talented young artists was making prints and developing a print curriculum. Progressive Printmakers documents, in words and stunning pictures, the breakthrough aesthetics and technical innovations that made the Madison printmakers a force in the art world.
In lively memoirs and analyses, the artists tell the story of the evolving print program at Madison. The distinguished print historian, the late James Watrous, provides an introductory overview, placing the program’s development in the national context of the American print renaissance. A concluding chapter traces the founding of Tandem Press, an exciting extension of the Wisconsin print curriculum. As Watrous notes, the University’s commitment has been “renewed again and again during a half-century when printmaking flourished in America as never before.”
Artists featured
• Alfred Sessler
• Dean Meeker
• Warrington Colescott
• Raymond Gloeckler
• Jack Damer
• Walter Hamady
• William Weege
• Frances Myers
• David Becker
About the Authors:
Warrington Colescott is an internationally known artist and the Leo Steppat Professor of Art Emeritus, University of Wisconsin–Madison.
Arthur Hove, special assistant emeritus at the University of Wisconsin–Madison, served in a number of capacities during a long association with the University. He was assistant to the chancellor and director of public information from 1970 to 1989. From 1989 until his retirement in 1996 he was special assistant to the provost. In addition to his administrative responsibilities, he also taught courses in the School of Business, the School of Journalism and Mass Communication, and the Department of Art. He holds the Distinguished Alumnus Award presented by the Wisconsin Alumni Association and is the author of The University of Wisconsin: A Pictorial History also published by the University of Wisconsin Press.
Title: Progressive Printmakers: Wisconsin Artists ...
Publisher: University of Wisconsin Press
Publication Date: 1999
Binding: Hardback
Condition: New
Seller: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condition: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0299161102-8-1-29
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780299161101
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Hardcover. Condition: fine/fine. First edition. Quarto. 11 1/4" x 8 1/2'. 221pp A fine copy in dust jacket. Seller Inventory # 77335
Seller: Sutton Books, Norwich, VT, U.S.A.
Condition: as new. Dust Jacket Condition: as new. Hbk 4to 184pp appears unused excellent text and dj now in a protective sleeve gift quality. Seller Inventory # Pri58
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. This chronicle of a unique period in the development of printmaking in the U.S. at the University of Wisconsin, 1945-95, tells the story beautifully, in interviews with and about those who taught and those who were taught, and with examples of their prints. Num Pages: 184 pages, 98 illustrations. BIC Classification: 1KBB; AFH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 20. Weight in Grams: 1134. . 1999. Hardback. . . . . Seller Inventory # V9780299161101
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In. Seller Inventory # ria9780299161101_new
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Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L0-9780299161101
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Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. This chronicle of a unique period in the development of printmaking in the U.S. at the University of Wisconsin, 1945-95, tells the story beautifully, in interviews with and about those who taught and those who were taught, and with examples of their prints. Num Pages: 184 pages, 98 illustrations. BIC Classification: 1KBB; AFH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 20. Weight in Grams: 1134. . 1999. Hardback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780299161101
Seller: moluna, Greven, Germany
Condition: New. This chronicle of a unique period in the development of printmaking in the U.S. at the University of Wisconsin, 1945-95, tells the story beautifully, in interviews with and about those who taught and those who were taught, and with examples of their prints. Seller Inventory # 688762916
Quantity: Over 20 available
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 1st edition. 184 pages. 11.25x9.00x0.75 inches. In Stock. Seller Inventory # x-0299161102
Quantity: 2 available