Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades.

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Bibliographic Details

Title: Public Issue Television
Publisher: Manchester University Press, GB
Publication Date: 2007
Language: English
ISBN 10: 071906256X
ISBN 13: 9780719062568
Binding: Paperback
Condition: New
Weight: 376 grams

About this title

Synopsis

Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada’s World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series’ development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change – technological, professional, aesthetic, institutional, economic, social and political.

As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades.

About the Authors

Peter Goddard is Senior Lecturer in the Department of Communication and Media at the University of Liverpool

John Corner is Professor in the School of Politics and Communication Studies, University of Liverpool

Kay Richardson is Reader in the School of Politics and Communication Studies, University of Liverpool

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