Synopsis
Lawrence Sail's collection The Quick encompasses a striking variety of subjects. He reflects on detail in the natural world, both in micro- and macrocosm, looking for example at flowers, birds, the sea, the earth seen from space; he explores the intricacies and balances of love and family relationships; he finds new resonances in the paintings of David Bomberg, Howard Hodgkin and Paul Klee, and affinities in his translations of Mallarmé, Rilke and Trakl. His imaginative scope extends into a sequence of prose poems responding powerfully to Gabriel Fauré's nine Préludes for piano. Throughout the collection, close attention to the physical world is paired with the perceptions such careful consideration provokes. Often this embodies a duality – instances of love carry the shadow of grief; a beached boat evokes the horizon; a book is both an object and an emblem of lost authority; the fragment of a Roman carving suggests wholeness restored. Above all, there is in Sail’s writing a celebration of the world, its preciousness magnified by the ways in which he takes the measure of what appears in the title poem as 'all that lasts, / all that is gone', the juxtaposition of the transient and the enduring.
About the Author
Lawrence Sail was born in London and brought up in Exeter. He studied French and German at Oxford University, then taught for some years in Kenya, before returning to teach in the UK. He is now a freelance writer and lives in Exeter. His retrospective Waking Dreams: New & Selected Poems (Bloodaxe Books, 2010), a Poetry Book Society Special Commendation, covers work written over four decades, drawing on poems from ten collections, from Opposite Views (1974) to the New Poems (2010) first collected in this volume. It includes poems from four books previously published by Bloodaxe, Out of Land: New & Selected Poems (1992), Building into Air (1995), The World Returning (2002), and Eye-Baby (2006). He has since produced two later collections, The Quick (2015) and Guises (2020). His other books include Cross-currents: essays (Enitharmon, 2005), a memoir of childhood, Sift (Impress Books, 2010), and Songs of the Darkness, a selection of his Christmas poems with illustrations by his daughter, Erica Sail (Enitharmon, 2010). He has edited a number of anthologies, including The New Exeter Book of Riddles (1999) and Light Unlocked: Christmas Card Poems (2005), both co-edited with Kevin Crossley-Holland for Enitharmon, and First and Always: Poems for Great Ormond Street Children's Hospital (Faber & Faber, 1988).
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