Rainer Maria Rilke, Geschichten vom Lieben Gott.

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ISBN 10: 3458173676 / ISBN 13: 9783458173670

Published by Frankfurt am Main. Insel. 2007., 2007

About this Item

14 Illustrationen von Albrecht Rissler. Orig.Pappe. Orig.Schutzumschlag. 113,(5) Seiten. 1.Auflage. 4°. Umschlag leicht angeschmutzt, sonst gut erhalten. ISBN 9783458173670.

Seller Inventory # 551110

Bibliographic Details

• Title: Rainer Maria Rilke, Geschichten vom Lieben Gott.
• Publisher: Frankfurt am Main. Insel. 2007.
• Publication Date: 2007
• Language: German
• ISBN 10: 3458173676
• ISBN 13: 9783458173670
• Binding: Hardcover
• Dust Jacket Condition: Dust Jacket Included

About this title

Synopsis

Rainer Maria Rilke felt that the world's joys most truly belonged to the young. His 14 'Stories of God' captured for them the magic, charm & wisdom of fairy & folk tales. "By Way of The Tale of God’s Hands" introduces the book's framework, the storyteller & his neighbors. The framework is that the storyteller will tell stories to townspeople & they in turn will tell the stories to children. The 1st story is about God & His hands. St Nicholas briefly appears. "The Stranger" is another critical episode concerning God's hands, related to a stranger. In "Why the benevolent God wants there to be poor people," we meet a teacher & are given an answer to the question posed in the title while told of an encounter between God & a sculptor. In "How betrayal came to Russia," we meet the storyteller’s lame neighbor, Ewald. The tale told Ewald is set in the time of Ivan the Terrible & answers the title's question. "How old Timofej died singing" is set in czarist Ukraine. Ewald is told of an old singer of epics & fairy tales. It also answers the question posed in its title. "The Song of Justice" is set in the Ukraine while it was ruled by Polish noblemen & at civil war with the Cossacks. In the tale told Ewald, we again meet an ancient singer, here of a song of justice. "A Scene from the Venetian Ghetto" is told to a Mr Baum, a civic leader. Set loosely in Renaissance Venice, it tells of an old Jewish goldsmith confined to a ghetto, of his grand-daughter, Esther, of her child & of the sea. In "About One Who Eavesdrops on the Stones," Ewald learns about Michelangelo. "How the thimble came to be God" is told to a group of evening clouds, both young & old, impertinent & wise. They & we hear a tale of 7 children & discover the answer to the question posed in its title. In "A Tale of Death & a Strange Postscript to It," our storyteller has a walk with a gravedigger & tells of death & this strange postscript. "An Organization Called Forth by an Urgent Need" tells of a young musician on a civic errand on behalf of Mr Baum & relates a tale of 3 painters. "The Beggar & the Proud Maiden", set in Renaissance Florence & told to the teacher met previously, tells of an encounter outside a church. "A Tale told to the Dark," tells of one man’s search for meaning & his encounter with his long-lost sole childhood friend.