Raphael (1483–1520) is considered the most important artist of the Italian High Renaissance alongside Michelangelo and Leonardo. In his short lifetime he created around one hundred paintings and numerous frescoes, including nine fresco cycles, on an unsurpassed variety of themes – from sensual female beauties, antique myths and portraits of wealthy Romans and church dignitaries to history cycles and biblical scenes. He produced altarpieces, as well as designing tapestries for the Sistine Chapel. His Sistine Madonna is one of the most frequently reproduced religious paintings of all time.

Raphael was a tireless learner, for whom there could be no standing still, no repetition of tried and tested solutions, but only the constant forward thrust of an inexhaustible imagination. He transformed his central theme, the visionary experience of divine grace, into visible pictorial reality. It was his mature work in Rome, and above all the frescoes in the Vatican Palace, that secured him his place in art history. Admired even during his own lifetime as the most modern artist of his day, Raphael’s mastery would pave the way for Mannerism and the Baroque era.

About the Author

Michael Rohlmann gained his doctorate with a thesis on the import of Early Netherlandish painting into Early Renaissance Florence. He qualified as a university lecturer with a thesis on the pictorial decoration of the Sistine Chapel. He is the author of numerous publications on Italian and French painting of the early modern period. He teaches art history at the University of Cologne and the University of Wuppertal.

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