Paperback. Jane Campion's work shines a spotlight on gender relations, often through complex female characters and an innovative approach to the screen representation of women functioning at the edges of society. Campion is vocal about the under-representation of women in the film industry more generally, though her commitment to the notion of feminism is tempered by an ambivalence towards the term. Despite this ambiguity, Campion's continued focus on women merits an exploration of her work through a feminist lens particularly in the wake of #MeToo, which has had a wide-ranging impact on the film industry. Explores the detail of Jane Campion's film and television output, considering her vision and practice, legacy, and her contribution to feminist filmmaking. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Bibliographic Details

Title: ReFocus: The Films of Jane Campion (Paperback)
Publisher: Edinburgh University Press, Edinburgh
Publication Date: 2025
Language: English
ISBN 10: 1399500279
ISBN 13: 9781399500272
Binding: Paperback
Condition: new

About this title

Synopsis

Jane Campion’s work shines a spotlight on gender relations, often through complex female characters and an innovative approach to the screen representation of women functioning at the edges of society. Campion is vocal about the under-representation of women in the film industry more generally, though her commitment to the notion of feminism is tempered by an ambivalence towards the term. Despite this ambiguity, Campion’s continued focus on women merits an exploration of her work through a feminist lens particularly in the wake of #MeToo, which has had a wide-ranging impact on the film industry.

About the Authors

Alexia L. Bowler is a Senior Lecturer at Swansea University. She co-edited, with Jess Cox, a special issue of Journal of Neo-Victorian Studies on adaptation. Her most recent article on Jane Campion and In the Cut was published in Feminist Theory (2018).

Adele Jones is a Tutor at Swansea University. She has published on Sarah Waters, Mich�le Roberts, and neo-Victorianism, and co-edited Sarah Waters and Contemporary Feminisms (2016, with Claire O'Callaghan).

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