Paperback. Silent-era film scholarship has all too often focused on a handful of German directors, including Fritz Lang, F. W. Murnau and Ernst Lubitsch, but little attention has been paid to arguably one of the most influential filmmakers of the period: Paul Leni. This collection the first comprehensive English-language study of Leni's life and career offers new insights into his national and international films, his bold forays into scenic design and his transition from German to Hollywood filmmaking. The contributors give fresh insights into Leni's most influential films, including Waxworks (1924), The Cat and the Canary (1927) and The Man Who Laughs (1928), and explores such lesser-known productions as The Diary of Dr. Hart (1918), Backstairs (1921) and the Rebus film series (19257). Engaging with new historical, analytical, and theoretical perspectives on Leni's work, this book is a groundbreaking exploration of a cinematic pioneer. This collection the first comprehensive English-language study of Leni's life and career offers new insights into his national and international films, his bold forays into scenic design and his transition from German to Hollywood filmmaking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Bibliographic Details

Title: ReFocus: The Films of Paul Leni (Paperback)
Publisher: Edinburgh University Press, Edinburgh
Publication Date: 2022
Language: English
ISBN 10: 1474454526
ISBN 13: 9781474454520
Binding: Paperback
Condition: new

About this title

Synopsis

Silent-era film scholarship has all too often focused on a handful of German directors, including Fritz Lang, F. W. Murnau and Ernst Lubitsch, but little attention has been paid to arguably one of the most influential filmmakers of the period: Paul Leni. This collection – the first comprehensive English-language study of Leni’s life and career – offers new insights into his national and international films, his bold forays into scenic design and his transition from German to Hollywood filmmaking.
The contributors give fresh insights into Leni’s most influential films, including Waxworks (1924), The Cat and the Canary (1927) and The Man Who Laughs (1928), and explores such lesser-known productions as The Diary of Dr. Hart (1918), Backstairs (1921) and the Rebus film series (1925–7). Engaging with new historical, analytical, and theoretical perspectives on Leni’s work, this book is a groundbreaking exploration of a cinematic pioneer.

About the Authors

Erica Tortolani earned a PhD in Film Studies at the University of Massachusetts.

Professor Martin Norden is Professor of Communication at the University of Massachusetts

"About this title" may belong to another edition of this title.

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