Reading Rilke's Orphic Identity (Paperback)

Erika M. Nelson

ISBN 10: 3039102877 / ISBN 13: 9783039102877

Published by Verlag Peter Lang, Pieterlen, 2005

About this Item

Paperback. This study of Rainer Maria Rilke (1875-1926) examines the poet's understanding of the malleable nature of identity, while addressing the question of Rilke's place in literary history. In line with contemporary literary theory which views the self as a societal construction and strategic narrative device, this study explores Rilke's preoccupations with identity in his work, as he investigates the disintegration of the subjective self in the modern world. Rilke's re-readings of the mythological figures of Orpheus and Narcissus in modern psychological terms, as well as in terms of traditional poetics, are keys not only to his poetics and his changing understanding of self, but also to his evolving critique of society. This study tracks how Rilke's Orphic work disengages traditional patterns of perceptions, not only to challenge fidelity to history, but also to recover the power of traditional elements from that history to help articulate subjectivity in new terms. Studies in Modern German and Austrian Literature publishes research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9783039102877

Bibliographic Details

• Title: Reading Rilke's Orphic Identity (Paperback)
• Publisher: Verlag Peter Lang, Pieterlen
• Publication Date: 2005
• Language: English
• ISBN 10: 3039102877
• ISBN 13: 9783039102877
• Binding: Paperback
• Condition: new

About this title

Synopsis

This study of Rainer Maria Rilke (1875-1926) examines the poet’s understanding of the malleable nature of identity, while addressing the question of Rilke’s place in literary history. In line with contemporary literary theory which views the «self» as a societal «construction» and strategic narrative device, this study explores Rilke’s preoccupations with identity in his work, as he investigates the disintegration of the subjective self in the modern world. Rilke’s re-readings of the mythological figures of Orpheus and Narcissus in modern psychological terms, as well as in terms of traditional poetics, are keys not only to his poetics and his changing understanding of «self», but also to his evolving critique of society. This study tracks how Rilke’s Orphic work disengages traditional patterns of perceptions, not only to challenge fidelity to history, but also to recover the power of traditional elements from that history to help articulate subjectivity in new terms.

About the Author

The Author: Erika M. Nelson is an Assistant Professor at the University of North Texas, where she teaches German language, literature, and culture courses. Her current research explores German spa culture, film, and the literary influences of Liquid Sound.