Reconstructing Cezanne
Language: English
Published by Ridinghouse, GB, 2015
- Hardcover
- New

Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
AbeBooks seller since June 10, 2025
Condition: New
US$ 34.09
Quantity: Over 20 available
Add to basketItem description from seller
Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne's works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist's online catalogue raisonné.At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery's renowned La Montagne Sainte-Victoire, from 1885-87, and a Paysage Provençal in private ownership. Reconstructing Cezanne reunites these two works for the first time.This publication follows the decision of the Société Paul Cezanne and the family of the artist to spell the artist's name without an acute accent.
Seller Inventory # LU-9781909932555
- Title
- Reconstructing Cezanne
- Author
- Fabienne Ruppen, Walter Feilschenfeldt, Yuval Etgar
- Publisher
- Ridinghouse, GB
- Publication year
- 2015
- Condition
- New
- Binding
- Hardback
- Language
- English
- ISBN 10
- 1909932558
- ISBN 13
- 9781909932555
- Item weight
- 500 grams
A groundbreaking approach to the study of Cézanne’s works on paper
This book brings to light new research into the work of Paul Cézanne (1839–1906), based on close examination of the DNA makeup that constitutes the papers he used for his watercolors and drawings. The book features in-depth analyses of the works in the show by Fabienne Ruppen, as well as extensive commentary on Cézanne scholarship by Walter Feilchenfeldt, co-author of the artist’s new catalogue raisonné.
At the heart of the book are two watercolors that Cézanne produced from a large sheet of paper, which he divided in two sections for the purpose of capturing different landscapes, La Montagne Sainte-Victoire, from 1885–87, and a Paysage Provençal. Reunited for the first time, these two parts of the same sheet exemplify Ruppen’s research methods and the way these enable us to reconsider the dating of Cézanne’s work based on forensic evidence.
"Synopsis" may belong to another edition of this title.
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