Reiff, A: Exploditions

Ae Reiff

ISBN 10: 1961710366 / ISBN 13: 9781961710368

Published by Amazon Digital Services LLC - Kdp

About this Item

Neuware - This collection is our Paradoxia Epidemica. Commonplaces called Exploditions because the granular details sample art and lit that don't exist any more, nor the links they cite, but once did. The selective arbitrary preservation of literary and symbolic deterioration is concomitant among with all parties of religion and politics. We begin in viewing Byzantium, a cover story, then Burroughs Nova Lunch, the Evangelion angels and destruction of the past. Little Boy bomb destroys the present all unknown to the populace whose children are Little Boyed and animed in all the Disney forms, made into something new while Stockhausen distorts the divine. A 'digitalis' infection, forgive the pun, in Van Gogh's later work turned all the colors to their complements and opposites, which, taken in our form of the drug, broadcast in towers, amplifies these Paradoxias from 2012 to 2016 and then 2026 to 2020. The epidemic superstitions of the undercover Second Obama & First Trump we cannot believe. Populacos are is made to enter the Hothouse Des Essientes, A Rebors, as a metaphor, since digitalis will not entertain the past. Metaphorical processions of the Banquet Years by Shattuck and the Eyeshot Baudelaire march by. Techniques of juxtaposition and self reflexive inner speech mirror the paradox.

Seller Inventory # 9781961710368

Bibliographic Details

• Title: Reiff, A: Exploditions
• Publisher: Amazon Digital Services LLC - Kdp
• ISBN 10: 1961710366
• ISBN 13: 9781961710368
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 254W x 203H x 11D millimeters 254 millimeters width by 203 millimeters height by 11 millimeters depth
• Weight: 435 grams

About this title

Synopsis

This collection samples art and lit that no longer exist. Viewing Byzantium as a cover story of how art mimics dissolution, its Nova Lunch of Evangelion angels and destruction of the past, Little Boy bomb destroying the present, and adult children Little Boyed and animed in Disney forms that Stockhausen contorts into the divine, these all corrupt Genesis angels with "digitalis" infect Van Gogh's later work where his vision is distorted by the drug into colors of complements and opposites. This drug is packaged, broadcast in cell towers from 2012 to 2016 and then 2016 to 2020 to cover the Second Obama & First Trump of society Against the Grain. A Rebors Byzantium, to not entertain the past and blow the present to bits, a hybrid future begun in the Banquet Years by Shattuck and the Eyeshot Baudelaire, marches to the beat of its juxtaposition. we retain of the past in inner speech.

A centaur-like fusion of man and machine, a digital-Trojan Horse that gallops through history, politics, and teck with a wink and a snort and a cheeky homonym! This half-human, half-AI steed, sparking its hooves on the data streams of 5G towers, its bow-wielding rider a president-puppet of unseen Palantir executives and their "six hundred billion invisible spiritual beings" is a place where walls hum with surveillance and the air crackles with coded conspiracies.