Renoir: Rococo Revival
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Add to basketSold by Book Grocer, Tullamarine, VIC, Australia
AbeBooks Seller since October 15, 2025
Quantity: 1 available
Add to basket, . Author: Alexander EilingFormat: Hardback, 230mm x 280mm, 1940g, 328 pagesPublished: Hatje Cantz, Germany, 2022Like hardly any other artist, Pierre-Auguste Renoir has shaped our understanding of the atmospheric figure paintings of Impressionism. His painting La fin du dejeuner, which has been in the Stadel Museum in Frankfurt since 1910, is now the starting point for a far-reaching examination of an important source of inspiration that accompanied him throughout his life: the Rococo. Considered frivolous and immoral after the French Revolution, this style of painting experienced a renaissance in the 19th century and was widely celebrated during Renoir's lifetime. Published on the occasion of the Stadel Museum's major exhibition, this comprehensive volume explores Renoir's multifaceted connection to tradition through illuminating juxtapositions of his art with 18th-century works and contemporaries.As a trained porcelain painter, PIERRE-AUGUSTE RENOIR (1841-1919) was well acquainted with the motif world of the 18th century. His depictions of domestic scenes and outdoor social gatherings are reminiscent of the pictorial language of the preceding era, such as Jean-Antoine Watteau's Fetes galantes.
Seller Inventory # 9783775751346
How the lush moods and easy conviviality of the Rococo permeated Renoir’s sensual paintings
More than any other Impressionist, Pierre-Auguste Renoir defined the treatment of the human figure for his generation, while also portraying the emergent Parisian bourgeois way of life. In this volume, Renoir’s painting After the Luncheon, which depicts three bourgeois figures enjoying tea, liquor and cigarettes after a meal in a restaurant, serves as the jumping-off point for a far-reaching examination of an important source of inspiration for the painter throughout his life: the Rococo. Considered trivial after the French Revolution, this style of painting, developed over the course of the 18th century, was typified by frivolous gatherings of beautiful, upper-class subjects in pastoral settings and lascivious boudoir scenes. The Rococo style experienced a renaissance in the 19th century and was widely celebrated during Renoir’s lifetime.
Published on the occasion of the Städel Museum’s major exhibition, this beautiful clothbound volume, containing over 300 color images, explores Renoir’s multifaceted connection to a once reviled tradition through illuminating juxtapositions of his art with the 18th-century works of such renowned masters as Antoine Watteau, François Boucher, Jean-Baptiste-Siméon Chardin, Jean-Honoré Fragonard and others.
Pierre-Auguste Renoir (1841–1919) was a founder of the style that became known as Impressionism, and one of the movement's most prolific members. Described by Herbert Read as “the final representative of a tradition which runs directly from Rubens to Watteau,” Renoir was a connoisseur and champion of feminine beauty. Surviving most of his contemporaries, Renoir lived to see his paintings hung at the Louvre alongside the Old Masters he so revered.
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