Research Methods for Reading Digital Data in the Digital Humanities
Language: English
Published by Edinburgh University Press, GB, 2016
- Softcover
- New

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Add to basketItem description from seller
The first volume to introduce the techniques and methods of reading digital material for researchDigital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.Key featuresFirst volume centred on the navigation and interpretation of digital material as research methods in the HumanitiesUp-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additionsBased on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings.…
Seller Inventory # LU-9781474409612
- Title
- Research Methods for Reading Digital Data in the Digital Humanities
- Author
- Gabriele Griffin
- Publisher
- Edinburgh University Press, GB
- Publication year
- 2016
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 147440961X
- ISBN 13
- 9781474409612
- Item weight
- 360 grams
The first volume to introduce the techniques and methods of reading digital material for research
Digital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.
Key features
First volume centred on the navigation and interpretation of digital material as research methods in the Humanities
Up-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additions
Based on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings
"Synopsis" may belong to another edition of this title.
About the Author
Matt Hayler is a Lecturer in post-1980s Literature at the University of Birmingham specializing in Digital and Cyberculture Studies, specifically (post)phenomenology and Cognitive Science influenced approaches to e-reading and to technology more broadly. Recent publications include Challenging the Phenomena of Technology (Palgrave 2015) and chapters on technology and the digital humanities in forthcoming volumes on Futures for English Studies (Palgrave 2016, co-written with Marilyn Deegan) and Theatre Performance and Cognition (Methuen 2016).
"About the title" may belong to another edition of this title.
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