A Revolution in Wood: The Bresler Collection

Nicholas R. Bell

ISBN 10: 1588343049 / ISBN 13: 9781588343048

Published by Smithsonian American Art Museum, 2010

About this Item

Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Seller Inventory # OTV.1588343049.VG

Bibliographic Details

• Title: A Revolution in Wood: The Bresler Collection
• Publisher: Smithsonian American Art Museum
• Publication Date: 2010
• Language: English
• ISBN 10: 1588343049
• ISBN 13: 9781588343048
• Binding: Hardcover
• Condition: very_good

About this title

Synopsis

A Revolution in Wood celebrates the magnificent gift of sixty-six pieces of turned and carved wood to the Renwick Gallery of the Smithsonian American Art Museum by the distinguished collectors Fleur and Charles Bresler. Illustrated in lavish detail, works by this country's best-known wood artists highlight the growing sophistication of American craft's youngest medium and the expressive capacity of its most organic material.

Masterpieces by the field's pioneers, including David Ellsworth, William Hunter, Mark and Melvin Lindquist, Edward Moulthrop, and Rude Osolnik, demonstrate the extraordinary range of expression achievable on the lathe, the medium's foundational tool. Compelling recent works by Ron Fleming, Michelle Holzapfel, Hugh McKay, Norm Sartorius, Mark Sfirri, and many others reveal the advent of new techniques, including multi-axis turning, the incorporation of secondary materials, and a strong focus on carving.

A wide-ranging essay by Renwick Curator Nicholas R. Bell examines contemporary wood art's historical roots and its rapid growth since the 1970s. Particular attention is given to the medium's development outside the studio craft movement and how that dynamic has shaped the current field.

An interview with Fleur Bresler by former Renwick Curator-in-Charge Kenneth R. Trapp offers a window on the collector's passion and highlights her twenty-five-year dedication to wood and to the artists she considers family.

The final section, “Wood Art at the Renwick Gallery,” illustrates in color over two hundred works by more than one hundred artists, making this premier public collection available in print for the first time. From James Prestini's original gift of twenty pieces before the Renwick's opening to experimental works by current artists, this guide to the Smithsonian's collection will serve as a reference for years to come.

About the Author

Nicholas R. Bell is curator of the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C. He is a former Lois F. McNeil Fellow at the Winterthur Museum and graduate of the Winterthur Program in American Material Culture at the University of Delaware.

Kenneth R. Trapp was curator-in-charge of the Renwick Gallery from 1995–2003. Before his tenure at the Smithsonian, Trapp was curator of decorative arts at the Oakland Museum of California.