Richard Jackson: unexpected unexplained unaccepted

Matthias Ulrich For The Schirn Kunsthalle

ISBN 10: 3862067874 ISBN 13: 9783862067879
Published by Verlag Kettler, 2020
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Born in Sacramento in 1939, the artist Richard Jackson was one of the leading figures in the Californian art scene in the 1970s and 1980s. Influenced by abstract expressionism and action painting, Jackson developed a combination of painting and action that, much like documentation, exposes the physical effort and time spent in creating a work of art.

During his early years, Jackson focused a spotlight on his artistic practice, which he regarded less as a mythical, inspired creative process than a hands-on production of a work of art: assembling the stretcher, attaching the canvas to the frame, applying the paint.

Later in his career, Jackson delegated the painting process to complex machines that he used as protagonists or props in his works. This book introduces a selection of his installations entitled Rooms, which feature cartoonlike figures - often dogs or ducks with human traits or plastic figures resembling Playmobil toys - spouting paint from their mouths or genitals. Significantly, Jackson does not involve spectators in the installation, but presents them with the final 'painting' like a sort of oversized tableau.

Text in English and German.

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Bibliographic Details

Title: Richard Jackson: unexpected unexplained ...
Publisher: Verlag Kettler
Publication Date: 2020
Binding: Soft cover
Condition: New

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Published by Verlag Kettler, 2020
ISBN 10: 3862067874 ISBN 13: 9783862067879
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Matthias Ulrich
Published by Verlag Kettler Jan 2020, 2020
ISBN 10: 3862067874 ISBN 13: 9783862067879
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Buch. Condition: Neu. Neuware - Der 1939 in Sacramento geborene Künstler Richard Jackson ist eine der Hauptfiguren der kalifornischen Kunstszene der 1970er- und 1980er-Jahre. Beeinflusst von Abstraktem Expressionismus und Action Painting, entwickelte Jackson eine Kombination aus Malerei und Aktion, die - ähnlich einer Dokumentation - den physischen und zeitlichen Aufwand eines Kunstwerks offenlegt.Bereits in seinen frühen Arbeiten und Installationen rückte Jackson seine Tätigkeit als Künstler in den Vordergrund, bei der es nicht um den mythischen, genialischen Schaffensprozess ging, sondern um die konkrete Herstellung eines Kunstwerks: Keilrahmen bauen, eine Leinwand darüber spannen, Farbe auftragen.Später delegierte Jackson, der ausgebildeter Ingenieur ist, den Malprozess an komplexe Maschinen, die er als Protagonisten und Requisiten für seine Arbeiten einsetzte. Das Buch stellt eine Auswahl dieser als Rooms bezeichneten Installationen vor, in denen comicartige Gestalten - oft Hunde und Enten mit menschlichen Zügen oder playmobilartige Plastikfiguren - aus ihren Mündern und Geschlechtsteilen Farbe verspritzen. Dabei ist der Betrachter nicht Teil des Geschehens, sondern bekommt von Jackson ausschließlich das fertige 'Gemälde' wie eine Art überdimensionales Tableau präsentiert. Seller Inventory # 9783862067879

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Jackson, Richard
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ISBN 10: 3862067874 ISBN 13: 9783862067879
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Condition: New. This book introduces a selection of his installations entitled Rooms, which feature cartoonlike figures spouting paint from their mouths or genitals. Text in English and German.Der 1939 in Sacramento geborene Kuenstler Richard Jackson ist eine der Hauptf. Seller Inventory # 338035320

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Matthias Ulrich for the Schirn Kunsthalle
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Paperback. Condition: new. Paperback. Born in Sacramento in 1939, the artist Richard Jackson was one of the leading figures in the Californian art scene in the 1970s and 1980s. Influenced by abstract expressionism and action painting, Jackson developed a combination of painting and action that, much like documentation, exposes the physical effort and time spent in creating a work of art. Dduring his early years, Jackson focused a spotlight on his artistic practice, which he regarded less as a mythical, inspired creative process than a hands-on production of a work of art: assembling the stretcher, attaching the canvas to the frame, applying the paint. Later in his career, Jackson delegated the painting process to complex machines that he used as protagonists or props in his works. This book introduces a selection of his installations entitled Rooms, which feature cartoonlike figures - often dogs or ducks with human traits or plastic figures resembling Playmobil toys - spouting paint from their mouths or genitals. Significantly, Jackson does not involve spectators in the installation, but presents them with the final 'painting' like a sort of oversized tableau. Text in English and German. SELLING POINTS: . A leading figure in American contemporary art since the 1970s . Richard Jackson's works challenge the boundaries of painting, sculpture, installation and performance This book introduces a selection of his installations entitled Rooms, which feature cartoonlike figures spouting paint from their mouths or genitals. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783862067879

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Matthias Ulrich For The Schirn Kunsthalle
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Paperback. Condition: New. Born in Sacramento in 1939, the artist Richard Jackson was one of the leading figures in the Californian art scene in the 1970s and 1980s. Influenced by abstract expressionism and action painting, Jackson developed a combination of painting and action that, much like documentation, exposes the physical effort and time spent in creating a work of art.During his early years, Jackson focused a spotlight on his artistic practice, which he regarded less as a mythical, inspired creative process than a hands-on production of a work of art: assembling the stretcher, attaching the canvas to the frame, applying the paint.Later in his career, Jackson delegated the painting process to complex machines that he used as protagonists or props in his works. This book introduces a selection of his installations entitled Rooms, which feature cartoonlike figures - often dogs or ducks with human traits or plastic figures resembling Playmobil toys - spouting paint from their mouths or genitals. Significantly, Jackson does not involve spectators in the installation, but presents them with the final 'painting' like a sort of oversized tableau.Text in English and German. Seller Inventory # LU-9783862067879

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Matthias Ulrich For The Schirn Kunsthalle
Published by DruckVerlag Kettler, DE, 2020
ISBN 10: 3862067874 ISBN 13: 9783862067879
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Paperback. Condition: New. Born in Sacramento in 1939, the artist Richard Jackson was one of the leading figures in the Californian art scene in the 1970s and 1980s. Influenced by abstract expressionism and action painting, Jackson developed a combination of painting and action that, much like documentation, exposes the physical effort and time spent in creating a work of art.During his early years, Jackson focused a spotlight on his artistic practice, which he regarded less as a mythical, inspired creative process than a hands-on production of a work of art: assembling the stretcher, attaching the canvas to the frame, applying the paint.Later in his career, Jackson delegated the painting process to complex machines that he used as protagonists or props in his works. This book introduces a selection of his installations entitled Rooms, which feature cartoonlike figures - often dogs or ducks with human traits or plastic figures resembling Playmobil toys - spouting paint from their mouths or genitals. Significantly, Jackson does not involve spectators in the installation, but presents them with the final 'painting' like a sort of oversized tableau.Text in English and German. Seller Inventory # LU-9783862067879

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Matthias Ulrich For The Schirn Kunsthalle
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Paperback. Condition: New. Born in Sacramento in 1939, the artist Richard Jackson was one of the leading figures in the Californian art scene in the 1970s and 1980s. Influenced by abstract expressionism and action painting, Jackson developed a combination of painting and action that, much like documentation, exposes the physical effort and time spent in creating a work of art.During his early years, Jackson focused a spotlight on his artistic practice, which he regarded less as a mythical, inspired creative process than a hands-on production of a work of art: assembling the stretcher, attaching the canvas to the frame, applying the paint.Later in his career, Jackson delegated the painting process to complex machines that he used as protagonists or props in his works. This book introduces a selection of his installations entitled Rooms, which feature cartoonlike figures - often dogs or ducks with human traits or plastic figures resembling Playmobil toys - spouting paint from their mouths or genitals. Significantly, Jackson does not involve spectators in the installation, but presents them with the final 'painting' like a sort of oversized tableau.Text in English and German. Seller Inventory # LU-9783862067879

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