Richard Wright and the Library Card. This item is unavailable.Richard Wright and the Library Card

A seventeen-year-old African-American boy borrows a white man's library card and devours every book as a ticket to freedom

Grade 2-5?In Memphis in the 1920s, public library borrowing privileges did not extend to blacks. Yet, 17-year-old Richard Wright's hunger to read inspires him to take a dangerous risk. He borrows the library card of a white co-worker and goes to the library with a forged note requesting permission to check out books for the man. The librarian treats him with suspicion, until Richard claims to be illiterate. This final act of self-deprecation elicits laughs from the librarian and other patrons. While the author's note acknowledges that this story is based on a scene from Wright's autobiography Black Boy, Miller takes significant liberties with the fictionalization. A comparison with the original shows that although the librarian questioned the note, she did not laugh at Richard. The harsh portrayal is reinforced through Christie's impressionistic illustrations done in acrylic and colored pencil. While this book is written in a straightforward, easily comprehensible manner, titles such as Marie Bradby's More Than Anything Else (Orchard, 1995) and Robert Coles's The Story of Ruby Bridges (Scholastic, 1995) describe a love of learning hindered by racism in a more inspiring way.?Jackie Hechtkopf, Talent House School, Fairfax, VA
Copyright 1998 Reed Business Information, Inc.

An episode from the autobiography of Richard Wright is skillfully fictionalized, resulting in a suspenseful and gratifying story about the power of reading. Growing up in the South in the 1920s, Wright was eager to learn to read, but barred from using libraries because of his race. When he was 17, he went alone to Memphis, where he convinced a white man, Jim Falk, to lend him his library card (so that he could check out books by pretending to get them for Falk). There is a perceptible sense of danger as the librarian (a caricature) quizzes him, and triumph when a whole new world is opened to Wright, who is shown reading all night. While background details are softened and ``colored boy'' is the worst epithet in the book, the book is true to the essence of the events described. Christie's illustrations complement the text; he concentrates on the characters' faces and allows other details to remain less distinct. Readers see Wright's expression change, from when he is alone and most himself, to when he must put on a mask to be safe, to avoid confronting white people. A challenging endeavor, and an accomplished one. (Picture book. 5-9) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.