Robert Rauschenberg: Breaking Boundaries
Language: English
Published by Yale University Press, 2003
- Hardcover
- Used

Seller: The Old Print Shop, Inc., New York, NY, U.S.A.The Old Print Shop, Inc.
AbeBooks seller since May 19, 2020
Condition: Used - As new
US$ 25.00
Quantity: 1 available
Add to basketItem description from seller
By Robert S. Mattison. vi, 278 pages, 104 illustrations (32 color), bibliog., quarto (4to), hardcover, black cloth, white lettering on spine, dust jacket. Very good condition, unsold inventory of an old bookstore. Inventory #58335-2.
Seller Inventory # 000316
- Title
- Robert Rauschenberg: Breaking Boundaries
- Author
- Mattison, Robert S
- Publisher
- Yale University Press
- Publication year
- 2003
- Condition
- As New
- Dust jacket
- As New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0300099312
- ISBN 13
- 9780300099317
- Item weight
- 3 pounds
- Dimensions
- 4to - over 9¾ - 12" tall
Robert Rauschenberg, one of the most prolific and influential artists of the postwar period, has created an astonishing variety of works during a career spanning more than fifty years. To illuminate the meaning of Rauschenberg’s art and the reasons behind his artistic choices, Robert Mattison in this book focuses closely on a small selection of the artist’s projects. Mattison offers an interpretation of Rauschenberg’s output that is both original and uniquely insightful, based on extensive research and first-hand observation of the artist at work in his studio.
Like Rauschenberg’s own work, the book ranges across a variety of disciplines. Mattison relates the artist’s output to the visual arts, politics, technology, dance, urban theory, and other intriguing contemporary issues. The book examines Rauschenberg’s working process, the effect of his dyslexia on his art, his seminal Combine paintings of the 1950s, fascination with the “space race,” and collaboration with well-known choreographer Trisha Brown. A final chapter explores the art Rauschenberg exhibited in Chile during the dangerous and repressive rule of dictator Augusto Pinochet.
"Synopsis" may belong to another edition of this title.
About the Author
Robert S. Mattison is Marshall R. Metzgar Professor of Art History at Lafayette College.
"About the title" may belong to another edition of this title.
The Old Print Shop, Inc.
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The Old Print Shop, Inc. was founded in New York City in 1898 and is currently owed by Harry and Robert Newman. The gallery specializes in American art with a specialty in printmaking, 1700 to contemporary, maps prior to 1950, and books relating to art, printmaking, and architecture. Edward Gottschalk founded The Old Print Shop in 1898. At that time, it was located between 9th and 10th Streets on Fourth Avenue in back of Wanamaker's. He moved the shop to its current location in 1925. After Mr. Gottschalk's death, his widow hired Harry Shaw Newman, who had sold prints to Mr. Gottschalk, to run the Shop with an option to buy over a five-year period. The contract was signed on October 11, 1928. The final payment was due by October 31, 1933. The roaring twenties was an exciting time to own an art gallery. Prices for prints and paintings were at an all-time high. But in 1933, the middle of the Great Depression, few people were buying art, and it was a bad time to owe money. Through the help of a friend and fellow Currier & Ives enthusiast, Harry T. Peters, Harry Shaw Newman was able to get a loan that enabled him to make his final payment on the shop in 1933. The shop's first period of strong growth began during the 1940's. Although World War II was devastating Europe and Asia, most of America was back at work. Harry Shaw Newman realized that nineteenth-century American paintings were being overlooked by collectors and museums and was quick to bring them to the attention of the public. In the 1950's it was American primitive art and sculpture. The Shop was instrumental in helping build several notable collections of American primitive art. During the 1960's, 1970's, and 1980's there was a re-evaluation of American art from the past two centuries. The Shop chose at this time to concentrate on American printmakers and publishers from the eighteenth, nineteenth, and early twentieth centuries. Today, many museums in America, Europe, and Asia collect and display fine prints. As The Old Print Shop moves into its second century, it will continue to look for art that has been overlooked and reintroduce it to patrons and collectors.…
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