Synopsis
This study explores the gendered nature of the prospect view, or vantage-point, from which Romantic writing, particularly poetry, is composed. The author emphasizes the literary and critical movements that endorse, further, or undermine the gendered dichotomy based on a culturally-constructed difference in perception or visuality, emphasizing in her discussion the parts, representation, and cultural significance of the landscape. Annotation c. by Book News, Inc., Portland, Or.
About the Author
JACQUELINE M. LABBE studied for her PhD at the University of Pennsylvania in 1994 and has been a Lecturer in Romantic-period Literature at the University of Sheffield since 1995. From 1993 to 1995 she was a Visiting Assistant Professor at Northwestern University, USA. An active researcher on the confluence of gender, culture and literature, Dr Labbe has published in Genre, The Wordsworth Circle, Women's Writing, and several edited anthologies.
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