Scarpa
Los, Sergio
Sold by -OnTimeBooks-, Phoenix, AZ, U.S.A.
AbeBooks Seller since March 9, 2023
Used - Soft cover
Condition: Used - Good
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by -OnTimeBooks-, Phoenix, AZ, U.S.A.
AbeBooks Seller since March 9, 2023
Condition: Used - Good
Quantity: 1 available
Add to basketA copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.
Seller Inventory # OTV.3836507285.G
Carlo Scarpa (1906–1978) was denied the appropriate appreciation during his lifetime. His work was dismissed as „just“ being art and only after his death people began to understand the high quality contained. This book shows the development of his individual architectural language by linking aspects of the arts with architecture. From his sensitive consideration of the urban context to the composition of stunning details; the author manages to give the reader an insight into the architect’s work. Especially the investigation in his exhibition designs illustrate Scarpa’s knowledge of material and his solving of complex problems. Places like the Castelvecchio Museum in Verona became a Mekka for everybody seeking the ultimate refinement in exhibition design and restoring old buildings.
Sergio Los (*1934) studied architecture in Venice. He worked in the office of Carlo Scarpa from 1964 to 1970 and hereby gained deep insights into various projects and the way of developing his work. 1967 he wrote the first monograph on Scarpa, numerous publications followed. From 1968 on the author taught at the Faculty of Architecture at Venice University. He ran architectural offices together with Natasha F. Pulitzer in Venice, Padua and Milan.
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