The Scots Imagination and Modern Memory: Representations of Belonging

Andrew Blaikie

ISBN 10: 0748617868 / ISBN 13: 9780748617869

Published by Edinburgh University Press, 2010

About this Item

All memories invoke imagined pasts, but do the ways we remember share a common imaginary? In seeking to interpret Scottish culture in the recent past as a series of encounters with modernity, this study draws on a wide range of sources to explore relationships between perceptions of place, belonging and identity in one nation. Num Pages: 272 pages, 20 black & white illustrations. BIC Classification: 1DBKS; 3JJ; HBTB; JFC; JH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 23. Weight in Grams: 556. . 2010. Hardcover. . . . .

Seller Inventory # V9780748617869

Bibliographic Details

• Title: The Scots Imagination and Modern Memory: Representations of Belonging
• Publisher: Edinburgh University Press
• Publication Date: 2010
• Language: English
• ISBN 10: 0748617868
• ISBN 13: 9780748617869
• Binding: Hardcover
• Condition: New

About this title

Synopsis

This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference? Are perceptions conditioned by a collective social imaginary?Visions of nation and community, from Adam Ferguson’s ideas on the development of civil society through John Grierson’s pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic ‘face of Scotland’ and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies.

About the Author

Andrew Blaikie is Professor of Historical Sociology at the University of Aberdeen. He is author of Illegitimacy, Sex and Society: Northeast Scotland, 1750-1900 (1994) and Ageing and Popular Culture (1999).