The Screen is the Message (Hardcover)

Mario Martinez

ISBN 10: 363193310X / ISBN 13: 9783631933107

Published by Peter Lang AG, Bern, 2025

About this Item

Hardcover. What are the emblematic works and languages of contemporary audiovisuals? Where do the hybridizations and experiments of the currents of audiovisual art, cinematography and its post-production formulas lead us? In our current cultural space, where any image or video on the cinema or TV screen, or uploaded to the Internet and its social networks, goes through digital retouching or even through the corrections of artificial intelligence, what are the artistic manifestations that, from inside and outside the screen, have led us to this particular moment? This volume aims to shed light on these questions through contributions from international researchers, who expose aspects and the phenomenology of digital post-production to find out not only how these representations operate, but also what they try to express. In our current cultural space, where any image or video on the cinema or TV screen, or uploaded to the Internet and its social networks, goes through digital retouching or even through the corrections of Artificial Intelligence, the book explores the artistic manifestations that, from inside and outside the screen, have led us to this moment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9783631933107

Bibliographic Details

• Title: The Screen is the Message (Hardcover)
• Publisher: Peter Lang AG, Bern
• Publication Date: 2025
• Language: English
• ISBN 10: 363193310X
• ISBN 13: 9783631933107
• Binding: Hardcover
• Condition: new

About this title

Synopsis

What are the emblematic works and languages of contemporary audiovisuals? Where do the hybridizations and experiments of the currents of audiovisual art, cinematography and its post-production formulas lead us? In our current cultural space, where any image or video on the cinema or TV screen, or uploaded to the Internet and its social networks, goes through digital retouching or even through the corrections of artificial intelligence, what are the artistic manifestations that, from inside and outside the screen, have led us to this particular moment? This volume aims to shed light on these questions through contributions from international researchers, who expose aspects and the phenomenology of digital post-production to find out not only how these representations operate, but also what they try to express.

About the Author

Mario-Paul Martínez is a member of the Centro de Investigación en Artes (CíA) of the Art Department of the Miguel Hernández University of Elche (UMH) and Professor of Audiovisual Communication. He is also director of the MASSIVA Research Group that studies the interrelation between audiovisual arts and mass culture.

Fran Mateu (PhD in Philosophy and Arts) is also a member of the CíA and the MASSIVA Research Group at UMH. He is the director of the International Fantastic Film Festival of Elche – FANTAELX. His work is divided between artistic production, teaching, and research, focused on the audiovisual medium.