Screening the Paris Suburbs

Philippe Met

ISBN 10: 1526143593 / ISBN 13: 9781526143594

Published by Manchester University Press, GB, 2019

About this Item

Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity - class conflict, leisure, boredom and anti-authoritarianism - cut across the fifteen chapters.

Seller Inventory # LU-9781526143594

Bibliographic Details

• Title: Screening the Paris Suburbs
• Publisher: Manchester University Press, GB
• Publication Date: 2019
• Language: English
• ISBN 10: 1526143593
• ISBN 13: 9781526143594
• Binding: Paperback
• Condition: New
• Weight: 358 grams

About this title

Synopsis

Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity – class conflict, leisure, boredom and anti-authoritarianism – cut across the fifteen chapters.

About the Author

Derek Schilling is Associate Professor of French at Rutgers University