Screenwriting: Creative Labor and Professional Practice

Conor, Bridget

ISBN 10: 0415642655 / ISBN 13: 9780415642651

Published by Routledge, 2014

About this Item

Num Pages: 164 pages, 2 black & white tables. BIC Classification: APFD; JFD; KNT. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 15. Weight in Grams: 385. . 2014. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780415642651

Bibliographic Details

• Title: Screenwriting: Creative Labor and Professional Practice
• Publisher: Routledge
• Publication Date: 2014
• Language: English
• ISBN 10: 0415642655
• ISBN 13: 9780415642651
• Binding: Hardcover
• Condition: New

About this title

Synopsis

Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters.

Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed.

Chapters explore areas including:

• Screenwriting histories and myths of the profession
• Screenwriting as creative labor
• Screenwriters’ working lives
• Screenwriting work and the how-to genre
• Screenwriting work and inequalities

Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice.

The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771

About the Author

Bridget Conor is a lecturer in the Department of Culture, Media and Creative Industries at Kingšs College London and previously taught at Goldsmiths College and AUT University in Auckland. She has published in the areas of screenwriting research and creative labor studies and her previous work focused on the production of ‘The Lord of the Rings’ trilogy in New Zealand.