Scripting the Nation : Court Poetry and the Authority of History in Late Medieval Scotland

Terrell, Katherine H.

ISBN 10: 0814214622 / ISBN 13: 9780814214626

Published by The Ohio State University Press, 2021

About this Item

Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Scripting the Nation is the first book to set the poets of Scottish King James IV's court-William Dunbar, Walter Kennedy, and Gavin Douglas-in an extended dialogue with Latin and vernacular traditions of historiography. In the fourteenth and fifteenth centuries, Latin chroniclers such as John of Fordun and Walter Bower argued for their nation's status, using genealogically based myths of origin that linked Scotland to ancient centers of power. As vernacular histories grew more Anglophobic and quarrels rooted in the past continued to influence Anglo-Scottish diplomacy, Dunbar, Kennedy, and Douglas took up a national discourse that responded to English myths and an English poetic tradition exemplified by Geoffrey Chaucer. Terrell's elegant study examines how these Scottish writers marked out a distinct realm of Scottish cultural and poetic achievement, appropriating and subverting English literary models in ways that reveal the interplay between literary and historical authority in the scripting of nationhood.

Seller Inventory # 36907406/2

Bibliographic Details

• Title: Scripting the Nation : Court Poetry and the Authority of History in Late Medieval Scotland
• Publisher: The Ohio State University Press
• Publication Date: 2021
• Language: English
• ISBN 10: 0814214622
• ISBN 13: 9780814214626
• Binding: Hardcover
• Condition: Sehr gut
• Seller catalogs:
  • Bücher

About this title

Synopsis

Scripting the Nation is the first book to set the poets of Scottish King James IV’s court―William Dunbar, Walter Kennedy, and Gavin Douglas―in an extended dialogue with Latin and vernacular traditions of historiography. In the fourteenth and fifteenth centuries, Latin chroniclers such as John of Fordun and Walter Bower argued for their nation’s status, using genealogically based myths of origin that linked Scotland to ancient centers of power. As vernacular histories grew more Anglophobic and quarrels rooted in the past continued to influence Anglo-Scottish diplomacy, Dunbar, Kennedy, and Douglas took up a national discourse that responded to English myths and an English poetic tradition exemplified by Geoffrey Chaucer. Terrell’s elegant study examines how these Scottish writers marked out a distinct realm of Scottish cultural and poetic achievement, appropriating and subverting English literary models in ways that reveal the interplay between literary and historical authority in the scripting of nationhood.

About the Author

Katherine H. Terrell is Professor of Literature at Hamilton College.