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Scripts and Scenarios: The Performance of Comedy in Renaissance Italy

Andrews, Richard

1 ratings by Goodreads
ISBN 10: 0521353572 / ISBN 13: 9780521353571
Published by Cambridge University Press, 1993
Used Condition: Good Hardcover
From Grey Matter Books (Hadley, MA, U.S.A.)

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About this Item

Pencil marginalia and underlining scattered throughout the text. Binding is tight and square. Dust jacket shows some light edge wear. 298pp. Bookseller Inventory # 051538

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Bibliographic Details

Title: Scripts and Scenarios: The Performance of ...

Publisher: Cambridge University Press

Publication Date: 1993

Binding: Cloth

Book Condition:Good

Dust Jacket Condition: Very Good

About this title


This book examines the scripted stage comedies of the Italian Renaissance, tracing their transition from closed courtly audiences to a wider public. It concentrates on the performing values of their scripts rather than their literary qualities, in order to demonstrate their links with improvised commedia dell'arte, and thus explores in a new way a crucial phase in the development of European theater. It will be of interest to scholars and students in both theater history and Italian studies.


"Simplicity and clarity are exactly the major merits of this excellent volume that should be welcomed especially on this side of the Atlantic for filling up a gap in the history and evaluation of the Italian theater of the sixteenth century....[An] excellent book." Robert C. Melzi, Sixteenth Century Journal

"The volume is...both an excellent introduction to sixteenth century Italian theater and an innovative approach to the development from amateur learned comedy to professional comic theater. The emphasis it places on the texts as works to be performed rather than as literature to be ananlyzed is a welcome change and a solid contribution to the histroy of Italian theater in the Renaissance. And it its synthetic, chronological approach it is so highly suitable for class adoptions that one hopes the publisher will soon offer it in a a paperback version." Konrad Eisenbichler, Wintev

"In his insightful and witty study, Richard Andrews remedies the disparity between scholars' recognition of Italian Renaissance playwrights' pioneering role in 'a modern European concept of theatre' and their inadequate familiarity with the actual texts, performances and audiences." Richard Andrews, Renaissance Quarterly

"...Lew Andrew's book makes important scholarly contributions to our understanding of the narrative tradition and its place in the art and culture of the Renaissance." Sara Nair James, Sixteenth Century Journal

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