A work which sets out to open up the debate on the reproduction and authenticity of sculpture, from the ancient world to contemporary art. Editor(s): Ranfft, Erich; Hughes, Anthony. Series: Critical Views. Num Pages: 224 pages, 60 b&w illustrations. BIC Classification: AC; AFK. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 155 x 21. Weight in Grams: 439. . 1997. Paperback. . . . .

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Bibliographic Details

Title: Sculpture and Its Reproductions
Publisher: Reaktion Books
Publication Date: 1997
Language: English
ISBN 10: 1861890028
ISBN 13: 9781861890023
Binding: Soft cover
Condition: New

About this title

Synopsis

This collection of essays is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore their theoretical and practical consequences. What does it mean for a sculpture to be reproduced? Does it diminish or add to the authenticity and authority of the original?

Ranging from the Ancient to the Modern world, and investigating the function of artistic reproduction in cultures as diverse as the Catholic Spain of the Golden Age and the avant-garde of early twentieth century Germany, these essays significantly add to our understanding of a number of major sculptors, including Michelangelo, Rodin and Brancusi.

With essays by Ed Allington, Malcolm Baker, Anthony Hughes, Neil McWilliam, Miranda Marvin, Alexandra Parigoris, Martin Postle, Erich Ranfft and Marjorie Trusted.

About the Author

Anthony Hughes is lecturer in the History of Art at the University of Leeds.

Erich Ranfft is Henry Moore scholar at the University of Leeds.

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