Secret Knowledge: Rediscovering the lost techniques of the Old Masters. This item is unavailable.
2,333 ratings by Goodreads
Language: English
Published by Thames and Hudson Ltd, 2006
- Softcover
- Used

Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks
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Softcover
Condition: Used - Very good
US$ 32.46
Item description from seller
The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller Inventory # GOR003086374
- Title
- Secret Knowledge: Rediscovering the lost techniques of the Old Masters
- Author
- Hockney, David
- Publisher
- Thames and Hudson Ltd
- Publication year
- 2006
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0500286388
- ISBN 13
- 9780500286388
- Item weight
- 1,910 grams
The book that turned the art world on its head, now with new and exciting discoveries. Hockney takes his thesis further, demonstrating how Renaissance artists used mirrors and lenses to develop perspective and chiaroscuro – radically challenging our view of how these two foundations of Western art were established.
Table of Contents
Introduction • The Visual Evidence • The Textual Evidence The Correspondence • Endmatter
Table of Contents
Introduction • The Visual Evidence • The Textual Evidence The Correspondence • Endmatter
"Synopsis" may belong to another edition of this title.
Review
British painter David Hockney, well known for his cool and lovely paintings of California pools, has taken on the new role of detective. For two years Hockney seriously investigated the painting techniques of the old masters, and like any admirable sleuth, compiled substantial evidence to support his revolutionary theory. Secret Knowledge is the fruit of this labor, an exhaustive treatise in pictures revealing clues that some of the world's most famous painters, Ingres, Velázquez, Caravaggio (just to mention a few) utilized optics and lenses in creating their masterpieces. Hockney's fascination with the subject is contagious, and the book feels almost like a game with each analysis a "How'd they do that?" instead of a whodunit. While some may find the technical revelation a disappointment in terms of the idea of genius, Hockney is quick to point out that the use of optics does not diminish the immensity of artistic achievement. He reminds the reader that a tool is just a tool, and it is still the artist's hand and creative vision that produce a work of art. (296 pages, 460 illustrations, 402 in color.) --J.P. Cohen
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