Seeing Rothko: Isues & Debates book by Glenn Phillips, Thomas Crow Essays

Glenn Phillips, Thomas Crow

ISBN 10: 0892367342 / ISBN 13: 9780892367344

Published by Getty Research Institute, 2005

About this Item

Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. See images. Fantastic book. About the book >.>.> I am interested only in expressing basic human emotions - tragedy, ecstasy, doom," - Mark Rothko (1903 - 1970) said of his paintings. "If you are moved only by their colour relationships, then you miss the point." Throughout his career, Rothko was concerned with what other people experienced when they looked at his canvases. As his work shifted from figurative imagery to luminous fields of colour, his concern expanded to the setting in which his paintings were exhibited. In a series of analytic, personal, and even poetic essays by contemporary scholars, this volume explains how Rothko's most compelling creations elicit such profound and varied responses. This volume also reproduces, for the first time, Rothko's "Scribble Book," in which he jotted down his ideas on teaching art to children, and a sketchbook, both dating to the early years of the artist's career. "Seeing Rothko" includes essays by David Antin, Dore Ashton, Thomas Crow, John Elderfield, Briony Fer, Charles Harrison, Miguel Lopez-Remiro, Sarah Rich, and Jeffrey Weiss, an.

Seller Inventory # Batch-FM316-VG-7792

Bibliographic Details

• Title: Seeing Rothko: Isues & Debates book by Glenn Phillips, Thomas Crow Essays
• Publisher: Getty Research Institute
• Publication Date: 2005
• Language: English
• ISBN 10: 0892367342
• ISBN 13: 9780892367344
• Binding: Softcover
• Condition: Very Good
• Seller catalogs:
  • All Things Art
  • Art Painting and Paintings

About this title

Synopsis

A collection of essays that explore the profound and varied responses elicited by Rothko’s most compelling creations, plus a facsimile of Rothko’s “Scribble Book” and an early sketchbook.

“I am interested only in expressing basic human emotions: tragedy, ecstasy, doom,” Mark Rothko (1903–1970) said of his paintings. “If you are moved only by their color relationships, then you miss the point.”

Throughout his career, Rothko was concerned with what other people experienced when they looked at his canvases. As his work shifted from figurative imagery to luminous fields of color, his concern expanded to the setting in which his paintings were exhibited. In a series of analytic, personal, and even poetic essays by contemporary scholars, this volume explores the profound and varied responses elicited by Rothko’s most compelling creations. This volume also reproduces, for the first time, a “Scribble Book,” in which he jotted down his ideas on teaching art to children, and a sketchbook, both dating to the early years of the artist's career.

Seeing Rothko includes essays by David Antin, Dore Ashton, Thomas Crow, John Elderfield, Briony Fer, Charles Harrison, Miguel López-Remiro, Sarah Rich, and Jeffrey Weiss, an introduction by Glenn Phillips, and a bibliography of Rothko’s own writings.

About the Author

Glenn Phillips is senior curator of modern and contemporary collections and head of exhibitions at the Getty Research Institute.

Thomas Crow is Rosalie Solow Professor of Modern Art at the Institute of Fine Arts at New York University and served as director of the Getty Research Institute from 2000 to 2007.