Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility (Film and Culture Series)
Language: English
Published by Columbia University Press, 2007
Series: Book 11 of 86 - Film and Culture
- Softcover
- Used
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- Title
- Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility (Film and Culture Series)
- Author
- Chow, Rey
- Publisher
- Columbia University Press
- Publication year
- 2007
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0231133332
- ISBN 13
- 9780231133333
- Series
- Book 11 of 86: Film and Culture
Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulationsscreen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their ownChow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.
"Synopsis" may belong to another edition of this title.
About the Author
Rey Chow is the Andrew W. Mellon Professor of the Humanities in the Department of Comparative Literature at Brown University. She is the author of Woman and Chinese Modernity (Minnesota, 1991), Writing Diaspora (Indiana, 1993), Primitive Passions (Columbia, 1995), Ethics After Idealism (Indiana, 1998), and The Protestant Ethnic and the Spirit of Capitalism (CUP, 2002).
"About the title" may belong to another edition of this title.
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