The Sexual Subject: A Screen Reader in Sexuality

Edited by John Caughie & Annette Kuhn

ISBN 10: 0415074673 / ISBN 13: 9780415074674

Published by London & New York: Routledge, 1992

About this Item

Paperback; Measures 9¼" x 6¼" (1.1 kg); pp (viii) 339; Index; In the Screen Reader series; Black & white photographs, within the text; Includes: Black & white photographs, within the text; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #204216 ||.

Seller Inventory # 204216

Bibliographic Details

• Title: The Sexual Subject: A Screen Reader in Sexuality
• Publisher: London & New York: Routledge
• Publication Date: 1992
• ISBN 10: 0415074673
• ISBN 13: 9780415074674
• Binding: Paperback (No Dust Wrapper.)
• Condition: Very Good
• Seller catalogs:
  • Cinema

About this title

Synopsis

The Sexual Subject brings together writing on sexuality which has appeared in ^Screen> over the past two decades. It reflects the journal's continuing engagement with questions of sexuality and signification in the cinema, an engagement which has had a profound influence on the development of the academic study of film and on alternative film and video practice.
The collection opens with Laura Mulvey's classic "Visual Pleasure and Narrative Cinema" with its conjunction of semiotics and psychoanalysis, the critical approach which is most closely associated with Screen's rise to international prominence. The reader then goes on to explore the particular questions and debates which that conjuction provoked: arguments around pornography and the represenation of the body: questions of the representation of femininity and masculinity, of the female spectator, and of the social subject.
Many of the writings in this Reader have become indispensable texts within the study of film. The purpose of the Reader is not only to make the articles available to a wider readership, and to a new generation, but also to pose new conjunctions, making connections in one volume between debates and inquiries which spanned two crucial decades of film theory.
The Sexual Subject is intended not only for all those with a particular interest in film and film theory, but for anyone with a serious commitment to cultural theory, theories of representation, and questions of sexuality and gender.

About the Author

Mandy Merck