Shakespeare - Hamlet: 43 (Readers' Guides to Essential Criticism)
Language: English
Published by Palgrave, 2004
Series: Book 5 of 57 - Readers' Guides to Essential Criticism
- Softcover
- Used

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- Title
- Shakespeare - Hamlet: 43 (Readers' Guides to Essential Criticism)
- Author
- Griffiths, Huw
- Publisher
- Palgrave
- Publication year
- 2004
- Condition
- Very Good
- Binding
- paperback
- Language
- English
- ISBN 10
- 1403911363
- ISBN 13
- 9781403911360
- Item weight
- 230 grams
- Series
- Book 5 of 57: Readers' Guides to Essential Criticism
Hamlet is one of the best known works of English literature throughout the world, and its central character one of Shakespeare's most recognisable and enduring creations. Hamlet's first critics in the 17th century were, however, concerned with the play's apparent lack of decorum, whilst the Romantics revelled in the melancholy prince's isolation. Caught between a dead father and a remarried mother, Hamlet inevitably provided scope for Freud and the psychoanalytic writers of the 20th century. The play has retained its fascination for more recent critics and every new interpretation provides fuel for further study.
In this Guide, Huw Griffiths traces the history of the play's criticism from the 1660s through to the present day. Readers are provided with substantial excerpts from all the key critical readings - including accounts of the interaction between film versions and critical interpretations. Griffiths places each reading of the play within its own historical context and within the history of literary criticism, offering both students and teachers an approachable introduction to the critical fortunes of this most influential text.
"Synopsis" may belong to another edition of this title.
About the Author
HUW GRIFFITHS is Lecturer in Renaissance Literature at the
University of Canterbury in Christchurch, New Zealand. He was previously Research Fellow at the Scottish Institute of Northern Renaissance Studies, UK.
HUW GRIFFITHS is Lecturer in Renaissance Literature at the
University of Canterbury in Christchurch, New Zealand. He was previously Research Fellow at the Scottish Institute of Northern Renaissance Studies, UK.
"About the title" may belong to another edition of this title.
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