Shakespeare and the Power of Performance : Stage and Page in the Elizabethan Theatre

Weimann, Robert, Bruster, Douglas

ISBN 10: 0521182832 / ISBN 13: 9780521182836

Published by Cambridge University Press, 2010

About this Item

Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Seller Inventory # 47061848-75

Bibliographic Details

• Title: Shakespeare and the Power of Performance : Stage and Page in the Elizabethan Theatre
• Publisher: Cambridge University Press
• Publication Date: 2010
• Language: English
• ISBN 10: 0521182832
• ISBN 13: 9780521182836
• Binding: Soft cover
• Condition: Good
• Weight: 0.904 pounds

About this title

Synopsis

Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself.

Book Description

Bridging the gap between today's page- and stage-centred interpretations of Shakespeare's works, Weimann and Bruster explore how the playwright responded to the competing claims of acting and writing in the Elizabethan era. Focusing on the trio of clown, fool, and cross-dressed boy actor, they demonstrate how Shakespeare explored issues of performance.