Paperback. Pub Date :2013-12-01 Language: English Publisher: Random House When two girls. aged nine and ten are abducted and killed in Wind Gap. Missouri. Camille Preaker is sent back to her home town to investigate and report on the crimes. Camille. self-described white trash from old money. is the daughter of one of the richest families in town. Long-haunted by a childhood tragedy and estranged from her mother for years. Camille suddenly finds herself installed once again in her familys Victorian mansion. reacquainting herself with her distant mother and the half-sister she barely knows. a precocious 13-year-old who holds a disquieting grip on the town and surrounds herself with a group of vampish teenage girls. As Camille struggles to remain detached from the evidence. her relationship with her neurotic. hypochondriac mother threatens to topple her hard-won mental stabili...
As loyal
Entertainment Weekly subscribers, we have been fans of Gillian Flynn for her smart, funny, and spot-on reviews of books, movies, and TV, but we were not prepared for her stunning debut novel
Sharp Objects, a wickedly dark thriller that Stephen King calls a "relentlessly creepy family saga" and an "admirably nasty piece of work." We're calling it a cross between
Twin Peaks and
Secretary--sinister, sexy, and stylish. Perfect fall reading.
--Daphne Durham
10 Second Interview: A Few Words with Gillian Flynn Q: Do you prefer writing novels or reviewing?
A: I think writing is more pure--and actually a bit easier for me. It's just me and my laptop, not me and my laptop and a TV show that 30 people have worked on. Reviewing keeps you sharp--I can hardly watch or read anything without taking notes now--but plain old writing I find actually relaxing.
Q: Do think your writing is influenced more by books that you have read, or shows/movies that you have seen?
A: My mom spent her career as a reading teacher and my dad is a retired film professor, so I was really steeped in both books and movies growing up. To this day, when I get my dad on the phone, pretty much his first sentence is "Seen anything good lately?" I love putting words together (I've never met a simile I didn't like), but when I write I often think in "scenes"--I want these two people, in a dirty bar, with this song playing in the background.
Q: I hear you are working on your second book...is it is too early to ask what it's about?
A: I'm still playing around with the whole plot--when I wrote
Sharp Objects, I wasn't even sure who the killer was for a bit. But I can say [the new book] has to do with family loyalty, false memories, a wrenching murder trial, and a dash of good 'ole 1980s hair metal and devil worship.
Q: What is your writing process like? Have you changed anything about how you work since your first book?
A: My writing process is incredibly inefficient, and hasn't changed between books. I really don't outline: I know basically how I want the story to start, and vaguely how I want it to end (though like I said, with
Sharp Objects even that changed!). Then I just write: Some characters I start finding more interesting, some less. I write entire swaths that I pretty much know I'll cut. I have an entire file of "deleted scenes." I guess the one thing that has physically changed is I moved into a new place since my first book--it has a great bathtub, and I'll prop my laptop up and write in the bath for hours. Which is, admittedly, weird.
