Sideman - The Long Gig Of W. O. Smith - A Memoir
Language: English
Published by Rutledge Hill Press, U.S.A, 1991
- Hardcover
- Used





Seller: Bookenastics, Devon, United KingdomBookenastics
AbeBooks seller since September 27, 2006
Condition: Used - Good
US$ 10.00
Quantity: 1 available
Add to basketItem description from seller
In this wry, moving memoir completed shortly before his death, one of jazz's great sidemen, W.O. Smith, explores the terrain of modern jazz music through the eyes of one who rubbed shoulders with the legends. Writing about the black intelligentsia of the 1930s and 40s, particularly in Philadelphia and New York City, as well as life on the road during the big band era, this virtuoso of the string bass discusses the influence of such jazz greats as Duke Ellington, Frankie Fairfax, Coleman Hawkins, Fats Waller, Nat 'King' Cole, Bessie Smith & an introduction from his friend Dizzy Gillespie. / With 'B&W' photos. /// This is a 1st edition hardback with its dustjacket in good condition-the dustjackets edges are a little creased&scuffed & the front 'end-papers' are slightly 'foxed'. (319 pages).
Seller Inventory # 11628
- Title
- Sideman - The Long Gig Of W. O. Smith - A Memoir
- Author
- SMITH, W. O.
- Publisher
- Rutledge Hill Press, U.S.A
- Publication year
- 1991
- Condition
- Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1558531327
- ISBN 13
- 9781558531321
- Edition
- JAZZ & BLUES & MUSIC HISTORY.
- Seller catalogs
- AMERICAN HISTORY, BIOGRAPHY, JAZZ & BLUES & MUSIC HISTORY, MUSIC
"Synopsis" may belong to another edition of this title.
Reviews
Copyright 1991 Reed Business Information, Inc.
This autobiography chronicles the life of the recently deceased jazz bassist. Smith describes his introduction to jazz in Philadelphia, his brief stints with jazz giants Dizzy Gillespie, Coleman Hawkins, Thelonious Monk, and Charlie Parker, and his impressions of the early 1940s New York jazz scene. Sideman primarily deals with the academic career of Smith, who earned a Ph.D. in music and taught at a number of institutions including Tennessee State University in Nashville, where he performed with the Nashville Symphony and established the Community School. Engaging, personal, and witty, his account provides testament of a noted music educator and offers an interesting, though somewhat limited, glimpse of the jazz life, especially during the early 1940s in New York. Recommended for libraries and scholars with a music focus.
- David Szatmary, Univ. of Washington, Seattle
Copyright 1991 Reed Business Information, Inc.
"About the title" may belong to another edition of this title.
Bookenastics
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