Significant Others

Winner of the 2024 Prototype Prize, Significant Others is a luminous and radical collection of hybrid texts exploring intimacy, language, and the porous boundaries between the human and the other-than-human.

The world is always speaking to you. Held together by a shared language, all beings are constantly, endlessly chatting away, saying something or other. What this language constitutes may vary, but all matter is alive, and it always has something to say.

Significant Others is not a world of magical realism, but a different means of describing the existing world. It offers an opposition to the reductive logic of Western capitalism which views other-than-humans as only resources for extraction. Other beings feature as metaphors, or omens, but also as fleshly, agential creatures. Often the encounters are erotically charged, using Audre Lorde’s definition of the erotic as an intentionality that can permeate all aspects of life.

In one story, the protagonist attempts to figure out how to have sex with a bathroom mirror; in another, a catfish drags itself through Piccadilly Circus tube station with an uncomfortable level of intimacy with all the surfaces they come into contact with; a person births a stone from their rectum; a lump of topaz in someone’s brain triggers their depression; a human tries to talk to a limestone cliff using touch; a swan drinks the bathwater of their human lover.

This book is a collection of different fictionalised narratives, but across them they chart, somewhat anachronistically, a journey from total withdrawal to reimmersion in the ebb and flow of living, alongside a growing recognition that isolation is never truly possible. Life insists. so many people everywhere.

frank r jagoe’s work is a reclamation of madness and monstrosity in opposition to the exclusionary category of the human. Often it explores communication with other-than-humans: in recognition that we are in community with each other; in acknowledgement of the personhood of other-than-human beings; and in order to displace a western hierarchy that claims humanity as the highest form of existence. They are particularly drawn to considering how madness and monstrosity are defined in relation to language usage, and in opposition to rationality, coherence, and ‘reason’. Highlighting forms of communication beyond words, beyond class-based language, beyond human forms of speech, feels an urgent imperative. Throughout they want to consider whose language is respected, whose language is engaged with, and believed, or even acknowledged.

Influenced by medieval lapidary texts, jagoe’s most recent focus has been finding kinship with rocks, and trying to think through how we can communicate across vastly different experiences of time. They are also currently trying to make friends with a group of crows in Victoria Park.