Signs of Our Times: From Calligraphy to Calligraffiti
Issa, Rose; Cestar, Juliet; Porter, Venetia
Language: English
Published by Merrell, 2016
- Hardcover
- Used



Seller: Diatrope Books, Berkeley, CA, U.S.A.Diatrope Books
AbeBooks seller since December 15, 2011
Condition: Used - Very good
US$ 33.75
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Add to basketItem description from seller
Unmarked text. Dust jacket (unclipped) under clear mylar cover. Foreword by Hans-Ulrich Obrist. Covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined them with international aesthetics and concepts. Artists include Siah Armajan, Faith Hassan, Shirin Neshat, Susan Hefuna, Mounir Fatmi, Dia Batal, El Seed, and others. 320p. Measures 9.5x11.25 inches.
Seller Inventory # 35044
- Title
- Signs of Our Times: From Calligraphy to Calligraffiti
- Author
- Issa, Rose; Cestar, Juliet; Porter, Venetia
- Publisher
- Merrell
- Publication year
- 2016
- Condition
- Very Good
- Dust jacket
- very good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1858946522
- ISBN 13
- 9781858946528
- Item weight
- 12 ounces
- Dimensions
- 11x9x1
- Seller catalogs
- Art History
Signs of Our Times: From Calligraphy to Calligraffiti covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined them with international aesthetics and concepts.
This publication considers the work of 50 key artists, ranging from important pioneers of the calligraphic movement to those who use the written word in their work today. The book begins with a contribution from Venetia Porter, curator of Islamic and contemporary Middle Eastern art at the British Museum, who provides a historical contextualization of the movement and its relationship to lettrism in Europe. In a second essay, the writer and curator Rose Issa presents an overview of 60 years of the art movement in Arab countries and Iran, from the independences of the late 1940s and 1950s to the present day. A timeline by Juliet Cestar, an expert on contemporary Middle Eastern art, then sets out major cultural and historical events in the Middle East over the course of the last 60 years.
The main part of the book is divided into three sections, each devoted to a different generation of artists: the first generation of pioneers, who created a new aesthetic language following the independence of their countries; the second generation of artists, who mostly live in exile and who reference their own cultures and languages in their work; and the third generation, comprising contemporary artists who have absorbed international aesthetics, concepts and languages and who occasionally use Arabic and Persian script, or the morphology of letters, in their work. The entry for each artist includes a concise biography and a statement from the artist about their work. The artworks, in a variety of media, are also interspersed with poems and relevant literature, putting into personal and historical contexts the innovative use of words in art.
"Synopsis" may belong to another edition of this title.
About the Author
Juliet Cestar: Juliet Cestar is a writer and specialist on Middle Eastern contemporary art.
Venetia Porter: Dr Venetia Porter is a curator responsible for the collections of Islamic and contemporary Middle Eastern art at the British Museum, London. In 2006, she curated the exhibition 'Word in Art' at the museum.
Hans-Ulrich Obrist: Hans-Ulrich Obrist is an art curator, critic and historian. He is Co-Director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London. His publications include 'Ways of Curating' (2014).
"About the title" may belong to another edition of this title.
Diatrope Books
Berkeley, CA, U.S.A.
AbeBooks seller since December 15, 2011
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Diatrope Books
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