With The Silence and the Roar, Nihad Sirees writes a powerful, life-affirming and Kafkaesque novel about a censored writer trying to live a normal life under a Middle Eastern dictatorship, Syria.
Fathi, a writer no longer permitted to write, makes his way through a city churned by parades for an unnamed dictator. It is a day stifled by heat and the noise of the chants, a day of people trampled, and of the brutality and bullying of the party faithful. But Fathi presses treacherously against the crowd, attempting just to visit his mother and his girlfriend.
The Silence and the Roar is a personal, urgent, funny and aggrieved novel. It asks what it means to have a conscience, or to laugh, or to endure in a time of the violence, strangeness and roar of tyranny. It is both a true literary achievement and an act of real courage by a brilliant Syrian writer.
Nihad Sirees' The Silence and the Roar is translated from the Arabic by Max Weiss and published by Pushkin Press
Nihad Sirees was born in Aleppo, Syria in 1950. After training and working as an engineer, he became an acclaimed novelist, playwright and screenwriter. After finding himself under increasing surveillance and pressure from the Syrian government, in 2012 he left for Egypt and now lives and works in exile.
Nihad Sirees is a civil engineer who was born in the ancient Syrian city of Aleppo in 1950. His other novels include Cancer, The North Winds, and A Case of Passion. He has also written several plays and television dramas, the latest of which, Al Khait Al Abiadh (The First Gleam of Dawn), provides a frank depiction of the country's government controlled media and has been wildly acclaimed for its boldness and controversial nature. Branded an opponent of the government, publication of several of his works was forbidden by government censors. His subsequent novels were published abroad. He left Syria in January, 2012, to avoid Syrian security services. Since that time he has lived in self-imposed exile in Cairo, Egypt.
Max Weiss is an Assistant Professor of History and Near Eastern Studies at Princeton University. He is author of In the Shadow of Sectarianism: Law, Shi`ism, and the Making of Modern Lebanon, co-editor of Facing Fear: The History of an Emotion in Global Perspective and translator, most recently, of Hassouna Mosbahi, A Tunisian Tale and Samar Yazbek, A Woman in the Crossfire: Diaries of the Syrian Revolution.
