Synopsis
Explores the cultural and historical significance of Egyptian zār jewelry, including its evolution, roles, and impact from the 19th to early 20th century.
In the 19th century an African possession cult called zār arrived in Egypt and became hugely popular. Jewelry formed an integral part of this cult, and silver pendants with images of spirits started to appear in the early 20th century. And there is more: zār also used beaded jewelry as well as a wide range of other jewels.
Currently, jewelry items with spirit images are sought-after collectors’ items, present in collections of both private collectors and museums. These collections also hold a wide variety of other pieces called ‘zār jewelry’, and many jewelry pieces labeled ‘zār’ are available online. But what is ‘zār jewelry’, exactly?
With collectors, curators, historians and ethnographers in mind, Silver of the Possessed places jewelry of the Egyptian zār in its cultural and historical context. A catalogue of previously unpublished jewelry in private collections illustrates the changes in this jewelry over the course of nearly a century, while the book itself addresses Egyptian zār jewelry from multiple angles.
First, it analyses how our current understanding of this jewelry has evolved through collecting and publishing. Examining its cultural background in African possession cults results in a new insight of the many roles jewelry played in zār, observing jewelry as a financial asset allows us to grasp its implications for household economy dynamics, while looking at jewelry in a diachronic perspective may even reveal changes in the ritual itself. Finally, this study explores its potential as an actual historic source: these jewelry items shed light on the world view of their wearers, and as such form an unexpected additional source for late 19th and early 20th century Egypt.
Table of Contents
Preface
Chapter 1 Introduction
1.1 Aims and approach
1.2 Sources: the sample collection
1.3 Sources: literature
1.4 Structure of this thesis
Chapter 2 Spirits and women in Egypt
2.1 Origins and dissemination of zār
2.2 Spirit engagement and the world of women
2.3 zār
Chapter 3 Collected Objects
3.1 The curious case of the missing jewellery: published objects
3.2 To have and to hold: collected objects
3.3 Disassociation from primary life
Chapter 4 Living Objects
4.1 Challenges in interpreting decontextualised objects
4.2 Humans, spirits and objects
4.3 zār jewellery in everyday life
Chapter 5 Historic Objects
5.1 Materialised memory
5.2 Three case studies
5.3 The sample collection as a historic source
Chapter 6 The world of zār jewellery
6.1 The people of zār
6.2 Long-term changes in zār
6.3 The origin of the Egyptian zār power objects
Chapter 7 Conclusions
Bibliography
Appendix 1 The costs of a zār: a case study from 1913
Appendix 2 Glossary of terms
Acknowledgements
Catalogue
About the Author
Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery, such as Desert Silver (2017) and Silver & Frankincense (2020). With her consultancy Bedouin Silver, she researches jewellery collections for both museums and private collections, teaches courses and curates exhibitions.
"About this title" may belong to another edition of this title.
