Simon Starling: Metamorphology

Simon Starling

ISBN 10: 1938922352 / ISBN 13: 9781938922350

Published by Distributed Art Publishers, US, 2014

About this Item

British conceptual artist Simon Starling (born 1967) interrogates the histories of art and science, as well as other subjects such as economic and environmental issues, through a wide variety of media including film, installation and photography. Published for his first survey exhibition at a major American museum, Simon Starling: Metamorphology highlights a fundamental principle of Starling's practice: an almost alchemistic conception of the transformative potential of art, or of transformation as art. The Turner Prize-winning artist's working method constitutes recycling, both literally and figuratively: repurposing existing materials for new, artistic aims; retelling existing stories to produce new historical insights; linking, looping and remaking. This catalogue accompanies an exhibition organized by the Museum of Contemporary Art Chicago in tandem with the Arts Club of Chicago, and features essays by MCA Chicago senior curator Dieter Roelstraete, Arts Club of Chicago executive director Janine Mileaf in collaboration with Simon Starling, and Tate Modern curator Mark Godfrey.

Seller Inventory # LU-9781938922350

Bibliographic Details

• Title: Simon Starling: Metamorphology
• Publisher: Distributed Art Publishers, US
• Publication Date: 2014
• Language: English
• ISBN 10: 1938922352
• ISBN 13: 9781938922350
• Binding: Hardback
• Condition: New

About this title

Synopsis

British conceptual artist Simon Starling (born 1967) interrogates the histories of art and science, as well as other subjects such as economic and environmental issues, through a wide variety of media including film, installation and photography. Published for his first survey exhibition at a major American museum, Simon Starling: Metamorphology highlights a fundamental principle of Starling’s practice: an almost alchemistic conception of the transformative potential of art, or of transformation as art. The Turner Prize–winning artist’s working method constitutes recycling, both literally and figuratively: repurposing existing materials for new, artistic aims; retelling existing stories to produce new historical insights; linking, looping and remaking. This catalogue accompanies an exhibition organized by the Museum of Contemporary Art Chicago in tandem with the Arts Club of Chicago, and features essays by MCA Chicago senior curator Dieter Roelstraete, Arts Club of Chicago executive director Janine Mileaf in collaboration with Simon Starling, and Tate Modern curator Mark Godfrey.

About the Author

Dieter Roelstraete is the Senior Curator at the Museum of Contemporary Art in Chicago, as well as a tutor at the Piet Zwart Institute in Rotterdam and at De Appel in Amsterdam. His writing has appeared in numerous books and exhibition catalogues, and he is an editor at the magazines Afterall, A Prior and FR David. Francesco Manacorda is Director of Tate Liverpool. Formerly Curator at the Barbican Gallery in London, where his exhibitions included 'Radical Nature' (2009) and 'Martian Museum of Contemporary Art' (2008), he is also a visiting lecturer at London's Royal College of Art. Janet Harbord is Professor of Film Studies at Queen Mary, University of London. Her books include Chris Marker: La Jetee (2009), The Evolution of Film: Rethinking Film Studies (2007) and Film Cultures (2002).