The Sitcom is Dead. Long Live the Sitcom! | Continuity and Change in the American Comedy Series

Tiara Lalita Sukhan

ISBN 10: 3838303806 / ISBN 13: 9783838303802

Published by LAP LAMBERT Academic Publishing, 2010

About this Item

The Sitcom is Dead. Long Live the Sitcom! | Continuity and Change in the American Comedy Series | Tiara Lalita Sukhan | Taschenbuch | 160 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783838303802 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Seller Inventory # 101501887

Bibliographic Details

• Title: The Sitcom is Dead. Long Live the Sitcom! | Continuity and Change in the American Comedy Series
• Publisher: LAP LAMBERT Academic Publishing
• Publication Date: 2010
• Language: English
• ISBN 10: 3838303806
• ISBN 13: 9783838303802
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 220W x 150H x 11D millimeters 220 millimeters width by 150 millimeters height by 11 millimeters depth
• Weight: 256 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

The scripted television comedy series was first presented to audiences via the 'sitcom' form and thus the sitcom has continued to be defined by many of the characteristics with which it was first identified in the 1950s. In examining the evolution of the American comedy series, this book seeks to highlight the similarities between the formulaic studio-bound approach to series comedy (the sitcom) and more contemporary innovations in aesthetic production modes, such as those employed in the ‘single-camera’ comedy. This investigation comes to view the comedy series as being characterised definitively by its narrative conventions rather than its visual style, and it thus redefines the term ‘sitcom’ in a manner which better encompasses the series comedy genre as a whole. The sitcom is explored through aesthetic, narrative, commercial and ideological frameworks in order to highlight salient aspects of its generic form, commercial function, ideological flexibility and future potential. The analysis of specific case studies demonstrates the tension between innovation and convention which continues to characterise the sitcom’s evolution as a televisual form.

About the Author

Tiara studied philosophy, English, music and education at the University of Manitoba and completed her Masters degree in Media Studies at Victoria University of Wellington. She has spent the last 5 years teaching for the Gifted Kids Programme in New Zealand, and is currently completing a doctorate at the University of Western Ontario.