The Slapstick Camera (Paperback)

Burke Hilsabeck

ISBN 10: 1438477309 / ISBN 13: 9781438477305

Published by State University of New York Press, Albany, NY, 2021

About this Item

Paperback. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium-from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them-the clowns, idiots, and scoundrels of slapstick comedy. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9781438477305

Bibliographic Details

• Title: The Slapstick Camera (Paperback)
• Publisher: State University of New York Press, Albany, NY
• Publication Date: 2021
• Language: English
• ISBN 10: 1438477309
• ISBN 13: 9781438477305
• Binding: Paperback
• Condition: new

About this title

Synopsis

Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.

Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium-from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them-the clowns, idiots, and scoundrels of slapstick comedy.

About the Author

Burke Hilsabeck is Assistant Professor of English at the University of Northern Colorado.