While Germany and Austria-Hungary were well-equipped with sniping rifles in 1914, their Allied opponents were not.
Although military sharpshooting had existed since the 18th century, in 1914 only the German and Austro-Hungarian armies fielded trained snipers armed with scoped rifles. Thus upon the outbreak of World War I, the Allied armies found themselves on the receiving end of a shooting war to which they had no means of response. Only the Canadians brought a dedicated sniping rifle into the trenches, but in small numbers.
For the British, although production of a suitable rifle and scope were settled on quickly, the establishment of sniper training was difficult and its success was mostly due to the efforts of a handful of dedicated officers. The French eventually introduced a competent scoped rifle and a sniper training system, as did the Italians. Entering the war in 1917, the Americans experienced rifle shortages but were able to build on their pre-1914 efforts to find a suitable sniping weapon. The country that suffered most grievously was Russia; Russian troops fielded no snipers at all and suffered accordingly.
Featuring full-colour artwork, carefully chosen archive images and photographs of the sniping rifles and accessories used in the trenches, this is the inside story of the rifles carried by snipers of all the major powers during World War I.
Martin Pegler has a BA Hons in Medieval and Modern History and an MA in Museum Studies, both from University College, London, and was for many years the Senior Curator of Firearms at the Royal Armouries Museum, Leeds. Martin has established The Somme Historical Centre (www.martinpegler.com), where visitors can see the technology used in the 1914-18 trench warfare. He is currently an author and firearms consultant and he also lectures at local Great War museums.
He is the author of a number of books including The Military Sniper since 1914 (Osprey, 2001), Firearms in the American West 1700-1900 (The Crowood Press, 2002), and the highly acclaimed Out of Nowhere: A History of the Military Sniper (Osprey, 2004). In the 1980s he had the privilege of interviewing many World War I veterans about their wartime experiences, and the recordings are now part of the sound archives of the Imperial War Museum, London.
Adam Hook studied graphic design, and began his work as an illustrator in 1983. He specializes in detailed historical reconstructions, and has illustrated Osprey titles on subjects as diverse as the Aztecs, the Ancient Greeks, Roman battle tactics, 19th-century American subjects, the modern Chinese Army, and the history of fortification. His work features in exhibitions and publications throughout the world.
Alan Gilliland, a contributor to more than 70 Osprey titles, notably in the Weapon series, writes, illustrates and publishes fiction (www.ravensquill.com), as well as illustrating for a variety of publishers (alangillilandillustration.blogspot.com).
