Snuff Memories

From Schism [2] Press

It is enough to glance at the footnotes - from masters of body horror like Cronenberg, Ballard and Barker to post-structuralist philosophers of the self like Derrida, Nancy and Deleuze - to grasp the intention of Snuff Memories. Unveiling like a tableau of ancient gods and deathly orgies, where “the universe is composed out of windowless monads each locked away and screaming,” this evocative novel is better called a theoretical installation. Each fragment documenting an erotic way to lose one’s humanity, this is a collection of nightmarish yet utopian miniature visions of sex, death, transformation, and pain, where human bodies are stretched beyond their capacity into mythical realms. Brutal and evocative, at once a prose poem and a theory of the limit, Snuff Memories creates a mythology of enticing and deadly encounters with mutants, matriarchs, and goddesses, documenting a multitude of ways in which one can be erotically and philosophically disemboweled.

– Bogna M. Konior, Research Fellow, NYU Shanghai, Interactive Media Arts department & AI and Culture Research Centre

Snuff Memories is Sadean. Not because of its commitment to detailing the minutiae of posthuman pornographic excess (although that is certainly an important part of the work) but because of its obsession with permutation. Everything is erected, demolished, decentred, and respooled, before being forced out to the limits once again. Bodies effervesce in fatal conjugations, topologies deform, fuzz out and remerge everted, like bad DOOM skins, covered in blood. The posthuman cannot be known before it is produced—so to know it, we must produce it. And until we really are swept up in these disorienting forces—merciless, murderous, erotic perhaps—we have literature. Snuff Memories is a book for anyone who ever secretly wanted to get dommed by fiction.

– Amy Ireland